Rachid Koraichi (Algerian, b. 1947)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Rachid Koraichi (Algerian, b. 1947)

Ahmed Ezaatar

Details
Rachid Koraichi (Algerian, b. 1947)
Ahmed Ezaatar
signed in reversed Arabic and numbered '1/8' (on the base)
bronze with brown and gold patina
29 ½ in. (75cm.)
Executed in 1985, this work is number one out of an edition of eight.
Provenance
Galerie El Marsa, Dubai.
Anon. sale, Christie’s Dubai, 26 October 2010, lot 156.
Private collector.
Acquired from the above by the present owner.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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