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Lot Essay
The present work depicts one of Dufy’s favorite subjects during the 1930s: the joyful and dynamic atmosphere of seascapes and regattas. The artist loved to depict scenes of boats racing across the tumbling waves, their sails unfurled, or sailing into the harbors of Le Havre or Deauville. Deauville was internationally renowned as a glamorous place, often called the Parisian Riviera. It had a racetrack, casino, and Coco Chanel’s first shop outside of Paris. It was a favorite retreat for Dufy, where he would observe the pastimes of the French upper class, enjoying walks in lively harbors, boating festivals and the permanent distraction of leisure boats.
In this masterful depiction of the Deauville harbor, Dufy captures the vibrancy and joie de vivre of the town. Colorful flags adorn the crowns of a sailboats drifting or parked upon the harbor. Painted with dynamic and cheerful brushstrokes, the surface of the water and texture of the clouds are animated within the vital breadth of mark-making inherent in the artist's masterful technique with the influence of Fauvism readily seen in both the intensity of color and in the loose application of the paint. In Dufy’s own interpretation of Fauvism, he combines skeletal, black contours with quick washes of paint. The luminous palette adeptly conveys the climate of the Normandy coast, in particular through the use of Prussian blue, a characteristic choice of the artist. Although commonplace in a seascape, Dufy gives a deeper explanation for his preference for this color in an interview with Pierre Courthion in 1951: “Blue is the only color which keeps its own individuality across the spectrum. Take blue with its different nuances, from the darkest to the lightest; it will always be blue, whereas yellow darkens in shadow and fades out in lighter parts, dark red becomes brown and when diluted with white, it isn’t red any more, but another color: pink” (quoted in P. Courthion, Raoul Dufy, Geneva, 1951, p. 52). One can see in this preference for blue, also a symbol of France, the deep attachment to his country of a painter who decorated windows in French streets with large flags during his Fauve period, and who adorns the present work with a French tricolor proudly within the lower center of the composition.
In this masterful depiction of the Deauville harbor, Dufy captures the vibrancy and joie de vivre of the town. Colorful flags adorn the crowns of a sailboats drifting or parked upon the harbor. Painted with dynamic and cheerful brushstrokes, the surface of the water and texture of the clouds are animated within the vital breadth of mark-making inherent in the artist's masterful technique with the influence of Fauvism readily seen in both the intensity of color and in the loose application of the paint. In Dufy’s own interpretation of Fauvism, he combines skeletal, black contours with quick washes of paint. The luminous palette adeptly conveys the climate of the Normandy coast, in particular through the use of Prussian blue, a characteristic choice of the artist. Although commonplace in a seascape, Dufy gives a deeper explanation for his preference for this color in an interview with Pierre Courthion in 1951: “Blue is the only color which keeps its own individuality across the spectrum. Take blue with its different nuances, from the darkest to the lightest; it will always be blue, whereas yellow darkens in shadow and fades out in lighter parts, dark red becomes brown and when diluted with white, it isn’t red any more, but another color: pink” (quoted in P. Courthion, Raoul Dufy, Geneva, 1951, p. 52). One can see in this preference for blue, also a symbol of France, the deep attachment to his country of a painter who decorated windows in French streets with large flags during his Fauve period, and who adorns the present work with a French tricolor proudly within the lower center of the composition.