Lot Essay
L'authenticité de cette oeuvre a été confirmée par l'artiste.
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Claudette sobre fondo verde
Details
Manolo Valdés (né en 1942)
Claudette sobre fondo verde
signé 'M. VALDES' (au dos)
huile et collage de toile sur toile de jute
186 x 190 cm.
Réalisé en 2009.
signed 'M. VALDES' (on the reverse)
oil and collage of canvas on burlap
73 ¼ x 74 ¾ in.
Executed in 2009.
Claudette sobre fondo verde
signé 'M. VALDES' (au dos)
huile et collage de toile sur toile de jute
186 x 190 cm.
Réalisé en 2009.
signed 'M. VALDES' (on the reverse)
oil and collage of canvas on burlap
73 ¼ x 74 ¾ in.
Executed in 2009.
Provenance
Marlborough Gallery
Acquis auprès de celle-ci par le propriétaire actuel en 2010
Acquis auprès de celle-ci par le propriétaire actuel en 2010
Special Notice
Artist's Resale Right ("droit de Suite").
If the Artist's Resale Right Regulations 2006 apply to this lot, the buyer also agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
This item will be transferred to an offsite warehouse after the sale. Please refer to department for information about storage charges and collection
details.
Further Details
"Valdés s’empare des images de la caverne de Platon : autant de formes, de couleurs et de textures que de composants esthétiques purs d’une œuvre plastique. Jouant le rôle d’un cordonnier prodigieux, il modifie le regard généralement porté sur l’histoire de l’art et agence sa propre vitrine, son monde panthéiste. Sa magie consiste à manipuler les icônes de Titien, Matisse, Rembrandt et Manet via la décontextualisation et sa faculté de réactivation des chefs-d’œuvre."
"Valdés takes possession of pictures of Plato’s cave: as many shapes, colours and textures as a work of plastic art has purely aesthetic components. Like a prodigious shoemaker, he modifies the way the history of art is usually viewed and sets up his own shop window, his pantheistc world. His magic consists of manipulating the icons of Titian, Matisse, Rembrandt and Manet by de-contextualising them, reactivating masterpieces."
Kosme de Barañano
"Valdés takes possession of pictures of Plato’s cave: as many shapes, colours and textures as a work of plastic art has purely aesthetic components. Like a prodigious shoemaker, he modifies the way the history of art is usually viewed and sets up his own shop window, his pantheistc world. His magic consists of manipulating the icons of Titian, Matisse, Rembrandt and Manet by de-contextualising them, reactivating masterpieces."
Kosme de Barañano
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