David Jones, C.H. (1895-1974)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
David Jones, C.H. (1895-1974)

Saliés-de-Béarn, Pyrénées-Atlantiques

Details
David Jones, C.H. (1895-1974)
Saliés-de-Béarn, Pyrénées-Atlantiques
pencil and watercolour on paper
24 x 17 ½ in. (61 x 44.5 cm.)
Executed in 1928.
Provenance
with Austin Desmond Fine Art, London, 1991.
Anonymous sale, Christie's, London, 16 November 2007, lot 31, where purchased by the present owner.
Exhibited
Chichester, Pallant House Gallery, The Art of David Jones: Vision and Memory, October 2015 - February 2016, exhibition not numbered: this exhibition travelled to Nottingham, Djanogly Art Gallery, March - June 2016.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Brought to you by

Philip Harley
Philip Harley

Lot Essay


The two Salies-de-Béarn landscapes, this one and lot 338, were executed in the spring of 1928 during a trip with Eric Gill to stay in a villa at Salies, a commune in the Pyrénées-Atlantiques department in south-western France, after a visit to Chartres Cathedral. The villa was part-owned by Gill, whose presence was undoubtedly enlivening though the two did not always agree. It was an immensely fruitful sojourn for Jones, who finished a dozen large watercolours in seventeen days, mostly painted from the villa’s first floor balcony. He responded to the southern light by heightening his palette and loosening his paint structure, and clearly admired the foothills of the Pyrenees (which reminded him of the Black Mountains in Wales) which he depicted with energy and enthusiasm. The freshness of his attack is hard to resist. It was Jones’ first trip abroad since the war and he was entranced by the countryside which he connected with the troubadour legends of Le Chanson de Roland.

A.L.

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