Lot Essay
“I was painting mostly still-lifes, because in them I could more easily find myself. I tried in these still-life paintings to go beyond the material objects and express in colour and form the thing which was vibrating within me, and I achieved some good results” (M. Jawlensky, L. Pieroni-Jawlensky and A. Jawlensky, Alexej von Jawlensky: Catalogue Raisonné of the Oil Paintings, 1890-1914, London, 1991, p. 30).