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(i) Rosso Gilera 60 1232(ii) Rosso Guzzi 60 1305
Details
Alighiero Boetti (1940-1994)
(i) Rosso Gilera 60 1232
(ii) Rosso Guzzi 60 1305
(i) incised with signature, number and inscription ‘Boetti 6/10 S’ (on the reverse)
industrial varnish on cork letters on metal, in two parts
each: 9 7/8 x 9 7/8in. (25 x 25cm.)
Executed in 1971, this work is number six from an edition of ten
(i) Rosso Gilera 60 1232
(ii) Rosso Guzzi 60 1305
(i) incised with signature, number and inscription ‘Boetti 6/10 S’ (on the reverse)
industrial varnish on cork letters on metal, in two parts
each: 9 7/8 x 9 7/8in. (25 x 25cm.)
Executed in 1971, this work is number six from an edition of ten
Provenance
Acquired directly from the artist by the present owner in the 1970s.
Literature
J. C. Ammann, Alighiero Boetti, Catalogo generale, Tomo primo, Opere 1961-1971, Milan 2012, p. 327, no. 390 (another from the edition illustrated in colour, p. 304).
Exhibited
Turin, Galleria Multipli, Alighiero Boetti, 1972 (another from the edition exhibited).
Florence, Galleria Schema, Return to Sender, 1974 (another from the edition exhibited, illustrated, p. 9).
Esslingen, Galerie der Stadt, Sein und Sechnsucht, 1985, p. 6 (another from the edition exhibited).
Nice, Musée d'Art Moderne et d'Art Contemporain, Arte Povera: Les Multiples 1966-1980, 1996, p. 35 (another from the edition exhibited, illustrated in colour, p. 11).
Terni, Ronchini Arte Contemporanea, Alighiero Boetti 1970-1994, 1996 (another from the edition exhibited, illustrated, p. 5).
Reggio Emilia, Chiostro di San Domenico, Mitomoto. Gli artisti e la motocicletta, 1999 (another from the edition exhibited, illustrated, p. 48).
London, Luxembourg & Dayan, Alighiero Boetti I Colori, 2014, p. 36 (another from the edition of (i) exhibited, illustrated in colour, p. 37).
Berlin, Sprüth Magers, Arte povera and “Multipli” Torino 1970-75, 2014-2015 (this edition exhibited).
New York, Hauser & Wirth, ARTE POVERA Seen by Ingvild Goetz, 2017, p. 255 (another from the edition exhibited, installation view illustrated in colour, p. 95).
Turin, Citroniera Juverra Stables, Easy Rider, 2018-2019 (another from the edition exhibited).
Florence, Galleria Schema, Return to Sender, 1974 (another from the edition exhibited, illustrated, p. 9).
Esslingen, Galerie der Stadt, Sein und Sechnsucht, 1985, p. 6 (another from the edition exhibited).
Nice, Musée d'Art Moderne et d'Art Contemporain, Arte Povera: Les Multiples 1966-1980, 1996, p. 35 (another from the edition exhibited, illustrated in colour, p. 11).
Terni, Ronchini Arte Contemporanea, Alighiero Boetti 1970-1994, 1996 (another from the edition exhibited, illustrated, p. 5).
Reggio Emilia, Chiostro di San Domenico, Mitomoto. Gli artisti e la motocicletta, 1999 (another from the edition exhibited, illustrated, p. 48).
London, Luxembourg & Dayan, Alighiero Boetti I Colori, 2014, p. 36 (another from the edition of (i) exhibited, illustrated in colour, p. 37).
Berlin, Sprüth Magers, Arte povera and “Multipli” Torino 1970-75, 2014-2015 (this edition exhibited).
New York, Hauser & Wirth, ARTE POVERA Seen by Ingvild Goetz, 2017, p. 255 (another from the edition exhibited, installation view illustrated in colour, p. 95).
Turin, Citroniera Juverra Stables, Easy Rider, 2018-2019 (another from the edition exhibited).
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Further Details
This work is registered in the Archivio Alighiero Boetti, Rome, under no. 9511, and is accompanied by a certificate of authenticity.
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