.jpg?w=1)
Woman on White Wicker Rocker
Details
George Segal (1924-2000)
Woman on White Wicker Rocker
incised with the artist's signature and date and stamped with the number and foundry mark 'G. Segal '85 1/5' (lower edge)
bronze with white patina
42 x 50 7/8 x 33 5/8 in. (106.7 x 129.2 x 85.4 cm.)
Conceived in 1984 and executed in 1985. This work is number one from an edition of five plus three artist's proofs.
Woman on White Wicker Rocker
incised with the artist's signature and date and stamped with the number and foundry mark 'G. Segal '85 1/5' (lower edge)
bronze with white patina
42 x 50 7/8 x 33 5/8 in. (106.7 x 129.2 x 85.4 cm.)
Conceived in 1984 and executed in 1985. This work is number one from an edition of five plus three artist's proofs.
Provenance
Sidney Janis Gallery, New York
Private collection, California
Anon. sale; Christie's, New York, 15 November 2012, lot 127
Acquired at the above sale by the present owner
Private collection, California
Anon. sale; Christie's, New York, 15 November 2012, lot 127
Acquired at the above sale by the present owner
Literature
C. Leibenson, Le Féminin dans 'Art Occidental: Histoire d'une Disparition, Bayeux, 2007, p. 103, no. 9 (another example illustrated).
P. Nahon, L'Histoire de la Galerie Beaubourg Vol. II, 1988-1994, Paris, 2009, pp. 160 and 164 (another example illustrated).
P. Nahon, L'Histoire de la Galerie Beaubourg Vol. III, 1994-2009, Paris, 2009, pp. 16-17 (another example illustrated).
P. Nahon, L'Histoire de la Galerie Beaubourg Vol. II, 1988-1994, Paris, 2009, pp. 160 and 164 (another example illustrated).
P. Nahon, L'Histoire de la Galerie Beaubourg Vol. III, 1994-2009, Paris, 2009, pp. 16-17 (another example illustrated).
Exhibited
Scottsdale, Riva Yares Gallery, George Segal: Selected Works, March-April 1988, pp. 6-7 and 23, no. 2 (another example illustrated and exhibited).
Paris, Galerie Beaubourg, George Segal, Sculptures 1971-1989: Invasion Blanche, October-November 1990, pp. 20-21 and 35 (another example illustrated and exhibited).
Vence, Château Notre-Dame des Fleurs, Galerie Beaubourg, Portraits de Femmes, July-September 1994, p. 62 (another example illustrated and exhibited).
MACRO Museo Arte Contemporanea di Roma, George Segal: The Artist's Studio, June-September 2002, n.p. (another example illustrated and exhibited).
New York, Mitchell-Innes & Nash, George Segal: Bronze, April-June 2003, pp. 46 and 75, no. 18, pl. 19 (another example illustrated and exhibited).
Paris, Galerie Beaubourg, George Segal, Sculptures 1971-1989: Invasion Blanche, October-November 1990, pp. 20-21 and 35 (another example illustrated and exhibited).
Vence, Château Notre-Dame des Fleurs, Galerie Beaubourg, Portraits de Femmes, July-September 1994, p. 62 (another example illustrated and exhibited).
MACRO Museo Arte Contemporanea di Roma, George Segal: The Artist's Studio, June-September 2002, n.p. (another example illustrated and exhibited).
New York, Mitchell-Innes & Nash, George Segal: Bronze, April-June 2003, pp. 46 and 75, no. 18, pl. 19 (another example illustrated and exhibited).
Brought to you by
Isabella Lauria