Zinaida Serebriakova (1884-1967)
Zinaida Serebriakova (1884-1967)
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Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM THE FAMILY OF THE ARTIST
Zinaida Serebriakova (1884-1967)

Portrait of a young girl with blonde ringlets

Details
Zinaida Serebriakova (1884-1967)
Portrait of a young girl with blonde ringlets
signed, inscribed and dated 'Z. Serebriakova/Paris, le 21 Juillet/1943.' (lower right); with atelier stamp and inv. number '2175' (on the reverse)
charcoal and pastel on paper
24 x 19 1/8 in. (60.8 x 48.4 cm.)
Provenance
The family of the artist.
By descent to the present owner.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU or, if the UK has withdrawn from the EU without an agreed transition deal, from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

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Sarah Mansfield
Sarah Mansfield

Lot Essay


Portrait of a young girl with blonde ringlets is executed in pastel, a preferred medium of Serebriakova which allowed her to work swiftly and render a wide-eyed softness to her subjects. In France, Serebriakova established herself in society circles as an exceptional portraitist. She created a large number of portraits depicting French nobility, representatives of Russian émigré circles and famous figures in art and culture. At the same time, in addition to commissions, Serebriakova also created portraits of friends and acquaintances, peasants and tradesmen.
Serebriakova gained critical appreciation for her portraits of children, a notoriously tough subject, in particular. In 1954, after viewing an exhibition of Serebriakova’s, the critic Vladimir Zeeler wrote: 'A child’s portrait seems to me to be the most difficult task. Life has yet to touch this small person, yet while there is something not quite of this earth, there is something pristine, such bright eyes, such a sweet inviting smile, too much in the face to put everything down on a severe canvas or hard board…But Zinaida Serebriakova knew how to capture her subjects so that their smiles remained sweet and warm. The childrens’ portraits of Serebriakova are remarkable…how simple, yet so good the compositions are! And the eyes? You don’t just look at them, they look at you. The portraits are alive.' (Vladimir Zeeler, ‘Exhibition of Z. and E. Serebriakov, Russkaia mysl’, Paris, July 1954).
The present portrait depicts a daughter of the concierge at 31 rue Campagne-Premiere. Serebriakova moved into this Art Nouveau house, which had been built in 1911, designed by André Arfvidson (1870-1935) and decorated with ceramic tiles by Alexandre Bigot (1862-1927), in May 1940 and remained there for the rest of her life.

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