A.R. PENCK (1939-2017)
A.R. PENCK (1939-2017)
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Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY FROM THE FOUNDATION MIREILLE AND JAMES LEVY
A.R. PENCK (1939-2017)

Für Jochen Hiltmann

Details
A.R. PENCK (1939-2017)
Für Jochen Hiltmann
signed 'A.R. Penck' (on the stretcher); titled 'Y für J Hiltmann' (upper right)
oil on canvas
51 1/8 x 69in. (130 x 175.3cm.)
Painted in 1979
Provenance
Reinhard Onnasch Galerie, Berlin.
Private Collection.
Anon. sale, Sotheby's New York, 11 November 1988, lot 351.
Acquired at the above sale by the present owner.
Exhibited
Eindhoven, The Van Abbemuseum, Für Jochen Hiltmann: Eine Solidaritätsaustellung von Bernd & Hilla Becher, Joseph Beuys, Jörg Immendorf, A. R. Penck, Sigmar Polke, Ulrich Rückriem, Franz Erhard Walther, 1979 (illustrated, p. 14).
Pully, Musée d'art contemporain, A la découverte... de collections romandes I, 1993, p.45.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. Cancellation under the EU Consumer Rights Directive may apply to this lot. Please see here for further information. This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

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Lot Essay

Held in the collection of Mireille and James Lévy since 1988, r Jochen Hiltmann (1979) is an arresting large-scale canvas that bursts with the arresting, graphic pictorial force typical of A. R. Penck’s work. Painting in broad, energetic strokes, Penck engages his distinctive stick-figures in a vivid scene: the largest, in red, seems to be painting a picture; others brandish spears, juggle, or walk on stilts. An alien and a silhouetted dragon, who roars the words was wenn (‘what if’), emerge from a craggy black ground. To the left is what looks like a protest, with people waving placards beneath a lion among green stars. Taking inspiration from primitive cave paintings and German Expressionism, Penck’s paintings bring together text, symbol and image in what he saw as a universal human language. He painted this picture in support of Jochen Hiltmann, a professor at Hamburg’s University of Fine Arts who was on trial for participating in a demonstration against the Vietnam war six years earlier. Hiltmann’s supporters felt he was being unjustly targeted by the West German government, and held a group exhibition at the Van Abbemuseum, Eindhoven, in solidarity. Alongside Penck—who had himself been harassed by the East German regime before escaping to West Berlin, and was an outspoken advocate of artistic freedom—other participants in the show included Joseph Beuys, Sigmar Polke, Jörg Immendorff and Bernd and Hilla Becher.

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