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Lot Essay
« […] [Sanyu] dessinait à l'encre de Chine et au pinceau. Tout le monde le connaissait et quand il arrivait, les gens se regroupaient autour de lui. Sanyu ne croquait le modèle que si la pose l'intéressait. Sinon, il dessinait les gens autour de lui, surtout les femmes et réalisait ses croquis en dix minutes. Il lui arrivait de transformer ces personnages, hommes ou femmes, jeunes ou âgés, en nus. Cela ne semblait ne gêner personne. En réalité, tout le monde l'admirait. Je pense que c'est ainsi qu'il a passé ses dix années à Paris. »
"[…] [Sanyu] could sketch with brush and ink. Everybody knew him and when he arrived; people would gather around him. If the model struck an interesting pose, he would sketch her; otherwise, he would sketch the people around him, particularly the women, completing each sketch in ten minutes. Most interestingly, he would sometimes show his fellow sketchers, no matter male or female, young or old, as nudes. And nobody seemed to mind. In fact, they all admired him. I imagine this is how he spent his more than ten years in Paris."
Pang Xunquin
"[…] [Sanyu] could sketch with brush and ink. Everybody knew him and when he arrived; people would gather around him. If the model struck an interesting pose, he would sketch her; otherwise, he would sketch the people around him, particularly the women, completing each sketch in ten minutes. Most interestingly, he would sometimes show his fellow sketchers, no matter male or female, young or old, as nudes. And nobody seemed to mind. In fact, they all admired him. I imagine this is how he spent his more than ten years in Paris."
Pang Xunquin