Lot 120
120
AN IMPRESSIVE VARICOLOUR GOLD AND SILVER-MOUNTED GUILLOCHÉ ENAMEL FRAME WITH PORTRAIT MINIATURE
AN IMPRESSIVE VARICOLOUR GOLD AND SILVER-MOUNTED GUILLOCHÉ ENAMEL FRAME WITH PORTRAIT MINIATURE
AN IMPRESSIVE VARICOLOUR GOLD AND SILVER-MOUNTED GUILLOCHÉ ENAMEL FRAME WITH PORTRAIT MINIATURE
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AN IMPRESSIVE VARICOLOUR GOLD AND SILVER-MOUNTED GUILLOCHÉ ENAMEL FRAME WITH PORTRAIT MINIATURE
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Prospective purchasers are advised that several co… Read more PROPERTY OF A COLLECTOR
AN IMPRESSIVE VARICOLOUR GOLD AND SILVER-MOUNTED GUILLOCHÉ ENAMEL FRAME WITH PORTRAIT MINIATURE

MARKED FABERGÉ, WITH THE WORKMASTER'S MARK OF MICHAEL PERCHIN, ST PETERSBURG, CIRCA 1890, SCRATCHED INVENTORY NUMBER 58800

Details
AN IMPRESSIVE VARICOLOUR GOLD AND SILVER-MOUNTED GUILLOCHÉ ENAMEL FRAME WITH PORTRAIT MINIATURE
MARKED FABERGÉ, WITH THE WORKMASTER'S MARK OF MICHAEL PERCHIN, ST PETERSBURG, CIRCA 1890, SCRATCHED INVENTORY NUMBER 58800
Rectangular, enamelled in oyster white over a wavy guilloché ground, applied with four gold-rimmed cornerpieces enamelled in royal blue over a sunburst guilloché ground, with four gold rosettes at intervals, centring an oval portrait miniature of Edith Rockefeller McCormick signed and dated 'RJ.[19]03', within a beaded bezel, the frame surmounted by a varicolour gold basket with suspended floral swags, with similar swags beneath the miniature, all within a silver outer border cast and chased with ribbon-tied laurel, on two baluster-shaped feet, the ivory back with a silver-gilt strut, marked on lower rim and strut; in the original Fabergé wooden case, also with the original paper label inscribed 'C. Fabergé / N59800 / R.200'
4 ½ in. (11.5 cm.) high
Provenance
A Princely Liechtenstein collection.
The Kazan collection of Fabergé; Christie's, New York, 15 April 1997, lot 170.
Acquired at the above sale by the present owner.
Literature
M.Y. Ghosn, Collection William Kazan. Objets de Vertu par Fabergé, Paris, 1996, no. 43 (illustrated).
G. von Habsburg, Fabergé in America, New York, 1996, p. 29, fig. 5 (illustrated).
Exhibition catalogue, Fabergé - Cartier, Rivalen am Zarenhof, Munich, 2003, p. 159, no. 47 (illustrated).
Exhibition catalogue, The Last Flowering of Court Art, London, 2010, pp. 28-29, no. 8 (illustrated).
Exhibited
Munich, Kunsthalle der Hypo-Kulturstiftung, Fabergé - Cartier, Rivalen am Zarenhof, 28 November 2003 - 12 April 2004, no. 47.
London, Wartski, The Last Flowering of Court Art, 23 November - 4 December 2010, no. 8.
Special Notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Brought to you by

Margo Oganesian
Margo Oganesian Head of Department, Fabergé and Russian Works of Art
+44 (0)20 7389 2783

Lot Essay

Edith Rock McCormick (1872-1932) was the third daughter of the business magnate John D. Rockefeller (1839-1937), the founder of the Standard Oil Company who is widely regarded as the wealthiest American of all time.

Edith was married to the agriculture entrepreneur Harold Fowler McCormick (1872-1941), Chairman of the International Harvester Company of Chicago. She and her husband were prominent in Chicago society, supporting many causes, including the city’s first opera company.

For their honeymoon the couple travelled to Europe where they might have acquired the frame. Mr McCormick was also one of the American customers of Fabergé in London. Edith McCormick lived in Switzerland between 1913-1921, where she became a disciple of Carl Jung.

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