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Pepper, 1930
Details
EDWARD WESTON (1886-1958)
Pepper, 1930
tirage argentique, tiré avant 1958 par Brett Weston
annoté 'Edward Weston', titré et daté au crayon par Dody Weston Thompson (verso)
image/feuille : 23.3 x 19 cm. (9 ¼ x 7 ½ in.)
Pepper, 1930
tirage argentique, tiré avant 1958 par Brett Weston
annoté 'Edward Weston', titré et daté au crayon par Dody Weston Thompson (verso)
image/feuille : 23.3 x 19 cm. (9 ¼ x 7 ½ in.)
Provenance
Sotheby’s, Belgravia, 24 Mai 1973, lot 206
Literature
Nancy Newhall, The Photographs of Edward Weston, The Museum of Modern Art, New York, 1946, p. 18.
Nancy Newhall, Edward Weston: The Flame of Recognition, Aperture Foundation, New York, 1965, p. 35.
Nancy Newhall, The Daybooks of Edward Weston, Aperture Foundation, New York, 1973, pl. 5, n.p.
Keith F. Davis, Edward Weston: One Hundred Photographs, The Nelson-Atkins Museum of Art, Kansas City, 1982, p. 20.
Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, Center for Creative Photography, Tucson, 1992, fig. 606/1930.
Terence Pitts et Gilles Mora, Edward Weston, Formes de la passion, Editions du Seuil, Paris, 1995, p. 171.
Edward Weston, Edward Weston, Alinari, Florence, 1999, np.
Theodore E. Stebbins, Karen Quinn et Leslie Furth, Edward Weston, Photography & Modernism, Museum of Fine Arts, Bulfinch Press, Little, Brown and Company, Boston, 1999, pl. 38.
Amy Conger, Edward Weston, The Form of the Nude, Phaidon Press, New York, 2005, p .69.
Edward Weston, Nancy Newhall et Brett Abott, Edward Weston, Book of Nudes, J. Paul Getty Museum, Malibu, 2007, pl. 12.
Auteur Collectif, La Photographie du 20e siècle, Museum Ludwig, Taschen, Cologne, 2012, p. 739.
Nancy Newhall, Edward Weston: The Flame of Recognition, Aperture Foundation, New York, 1965, p. 35.
Nancy Newhall, The Daybooks of Edward Weston, Aperture Foundation, New York, 1973, pl. 5, n.p.
Keith F. Davis, Edward Weston: One Hundred Photographs, The Nelson-Atkins Museum of Art, Kansas City, 1982, p. 20.
Amy Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, Center for Creative Photography, Tucson, 1992, fig. 606/1930.
Terence Pitts et Gilles Mora, Edward Weston, Formes de la passion, Editions du Seuil, Paris, 1995, p. 171.
Edward Weston, Edward Weston, Alinari, Florence, 1999, np.
Theodore E. Stebbins, Karen Quinn et Leslie Furth, Edward Weston, Photography & Modernism, Museum of Fine Arts, Bulfinch Press, Little, Brown and Company, Boston, 1999, pl. 38.
Amy Conger, Edward Weston, The Form of the Nude, Phaidon Press, New York, 2005, p .69.
Edward Weston, Nancy Newhall et Brett Abott, Edward Weston, Book of Nudes, J. Paul Getty Museum, Malibu, 2007, pl. 12.
Auteur Collectif, La Photographie du 20e siècle, Museum Ludwig, Taschen, Cologne, 2012, p. 739.
Special Notice
Additional costs of 5.5% including tax of the auction price will be taken in addition to the usual costs charged to the buyer. These additional costs are likely to be reimbursed to the buyer on presentation of proof of export of the batch outside the Union European within the legal deadlines (See the "VAT" section of Terms of sale)
Further Details
GELATIN SILVER PRINT, PRINTED BEFORE 1958 BY BRETT WESTON; ANNOTATED 'EDWARD WESTON', TITLED AND DATED IN PENCIL BY DODY WESTON THOMPSON (VERSO)
Sale Room Notice
Veuillez noter que ce tirage a été tiré par Brett Weston et est annoté par Dody Weston Thompson.
please note this print was made by Brett Weston, annotated by Dody Weston Thompson.
please note this print was made by Brett Weston, annotated by Dody Weston Thompson.
Brought to you by
Elodie Morel-Bazin
Head of Department, Europe