MEIJI PERIOD (LATE 19TH CENTURY), SIGNED MUNEKAZU (TOMIKI ISUKE I; 1835-1894)

Details

AN IRON ARTICULATED SCULPTURE OF A SNAKE
MEIJI PERIOD (LATE 19TH CENTURY), SIGNED MUNEKAZU (TOMIKI ISUKE I; 1835-1894)
The iron snake constructed of numerous hammered plates jointed inside the body, the head finely incised with hinged jaw opening to reveal a movable tongue, gilt eyes, signature on underside of jaw
65 3/8 in. (166.1 cm.)

Provenance

Robert Winter Japanese Art, Kyoto

Conditions of sale

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Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

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Lot Essay

The snake is one of the most suitable subjects for jizai sculpture given the naturalistic flexibility and undulating qualities of its overlapping, jointed plates. In Japanese culture, the snake is auspicious, symbolizing successful harvests and fertility. In the field, the snake eats mice and other pests. The molting nature of the reptile suggests regeneration and immortality.
Munekazu is the art name of Tomiki Isuke I (1835-1894) who was born in Kanazawa, Ishikawa Prefecture. Unlike other jizai artists from Edo period, Munekazu did not apprentice with the Myochin school and it is unclear how he started to create sculptures. At his studio in Kyoto he tutored Takase Kozan (1869-1934) and Muneyoshi (Tanaka Tadayoshi;?-1958).

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