A SINGLE-CASE LACQUER INRO
A SINGLE-CASE LACQUER INRO
A SINGLE-CASE LACQUER INRO
A SINGLE-CASE LACQUER INRO
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PROPERTY FROM A PRINCELY COLLECTION
A SINGLE-CASE LACQUER INRO

MEIJI PERIOD (LATE 19TH CENTURY), SIGNED ZESHIN (SHIBATA ZESHIN; 1807-1891)

Details
A SINGLE-CASE LACQUER INRO
MEIJI PERIOD (LATE 19TH CENTURY), SIGNED ZESHIN (SHIBATA ZESHIN; 1807-1891)
Finely decorated on a seido-nuri ground in polychrome takamaki-e, with a persimmon and two blackcurrants on one side and blackcurrants on a branch on reverse, roiro-nuri interior, lacquered ojime; incised signature on base
2 5/8 in. (6.7 cm.) high
Provenance
Edward Wrangham Collection; Bonhams, London, 15 May 2012, lot 266
W. L. Behrens Collection

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

Lot Essay

Zeshin became a prolific painter of popular subjects and was hugely popular with the Edo townsfolk in Edo period Japan. His light-hearted and vivid depictions of everyday Japan, its custom, and legends were among the earliest art to find favor in the West after the Imperial Restoration. But it is as a lacquer artist that Zeshin is perhaps best known, and for which his art was acclaimed at the great expositions both in Japan and overseas in his last decades. His diverse work encompassed the Shijo and Rinpa schools, and the Chinese-inspired work of Ogawa Haritsu (1663-1747). He introduced the technique of painting on paper with lacquer to give an impression of richness and three-dimensionality.

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