Lot Essay
“[Shapiro's] new sculptures, carrying on like clowns, splayed out like the 'Dying Gaul' or a wounded Picasso horse, gesturing to the sky like Zadkine's 'Rotterdam,' demonstrate again why Shapiro is one of the finest artists of his generation. ...he has been able to mold the sculptural vocabulary of Minimalism into the kind of utterance that has always been a sign of a large sculptural achievement.”
—M. Brenson, “Joel Shapiro,” The New York Times, 14 November 1986.
—M. Brenson, “Joel Shapiro,” The New York Times, 14 November 1986.