GABRIEL ARGY-ROUSSEAU (1885-1953)
GABRIEL ARGY-ROUSSEAU (1885-1953)
GABRIEL ARGY-ROUSSEAU (1885-1953)
GABRIEL ARGY-ROUSSEAU (1885-1953)
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HIDDEN GEMS: THE COLLECTION OF DR. THOMAS CHUA
GABRIEL ARGY-ROUSSEAU (1885-1953)

‘La Danse’ Vase, circa 1923

Details
GABRIEL ARGY-ROUSSEAU (1885-1953)
‘La Danse’ Vase, circa 1923
pâte-de-verre
12 in. (30.5 cm) high, 7 1⁄4 in. (18.4 cm) diameter
signed in the mold G. ARGY-ROUSSEAU
Literature
J. Bloch-Dermant, Les Pâtes de Verre: G. Argy-Rousseau, Catalogue Raisonné, Paris, 1990, p. 59, no. 23.02

Brought to you by

Daphné Riou
Daphné Riou SVP, Senior Specialist, Head of Americas

Lot Essay

“The process of creating te de verre is certainly the most artistic and the most personal of all the methods of working in glass and crystal because it allows the artist to easily convey all his thoughts”  – Gabriel Argy-Rousseau

Trained at the Ecole nationale de Sèvres, Argy-Rousseau studied Greek art there, having also been exposed to it through his family. He considered Greek style his true passion and a permanent influence in his work throughout his career. His ‘La Danse vase is one of his most famous creations and evokes the Attic vases of the antiquities with the poses of the dancing figures in a stylized landscape. The present lot, from the collection of Dr. Thomas Chua, displays remarkable detailing to the te-de-verre and a varied color palette.

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