MAN RAY (1890–1976)
MAN RAY (1890–1976)
MAN RAY (1890–1976)
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MAN RAY (1890–1976)
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THE SURREALIST WORLD OF ROSALIND GERSTEN JACOBS AND MELVIN JACOBS
MAN RAY (1890–1976)

Ostrich Egg, 1944

Details
MAN RAY (1890–1976)
Ostrich Egg, 1944
signed and dated in black ink 'Man Ray 1944' (lower right)
gelatin silver print
image/sheet: 10 x 8 in. (25.4 x 20.3 cm.)
Provenance
Acquired from the artist by the late owners, circa 1960.
Literature
E. de l'Ecotais and K. Ware, Man Ray: 1890-1976, New York, 2000, p. 138.
Man Ray, exh. cat., Museo d'Arte della Città di Lugano, 2011, p. 124, pl. 101.
Exhibited
Miami, Museum of Contemporary Art, Sweet Dreams and Nightmares: Dada and Surrealism from the Rosalind and Melvin Jacobs Collection, March-May 2000, no. 17 (illustrated).
New York, Pace/MacGill Gallery, The Long Arm of Coincidence: Selections from the Rosalind and Melvin Jacobs Collection, April-May 2009 (illustrated).

Lot Essay

Throughout Man Ray’s career the egg appears in photographs, rayographs, prints, paintings and sculptures. In the present photograph, the tight cropping and sensitive lighting emphasizes the organic, dimpled surface of the egg’s shell. Clearly enthralled by this natural form, Man Ray’s Ostrich Egg celebrates symmetry, perfection and, perhaps, the egg as a symbol of reproduction—both sexual and photographic. Prints of this image rarely appear at auction. Other prints reside in institutional collections including the J. Paul Getty Museum, Los Angeles and The Museum of Fine Arts, Houston.

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