DAVID ROBERTS, R.A. (EDINBURGH 1796-1864 LONDON)
DAVID ROBERTS, R.A. (EDINBURGH 1796-1864 LONDON)
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PROPERTY FROM A PRINCELY COLLECTION
DAVID ROBERTS, R.A. (EDINBURGH 1796-1864 LONDON)

The Grand Portico at the Temple at Esneh, Egypt

Details
DAVID ROBERTS, R.A. (EDINBURGH 1796-1864 LONDON)
The Grand Portico at the Temple at Esneh, Egypt
inscribed and dated 'Temple at Esneh 25th/ 1838' (lower right)
pencil and watercolour heightened with bodycolour on buff paper
12 3⁄8 x 18 5⁄8 in. (31.5 x 47.4 cm.)
Provenance
John Gordon of Cluny, and by descent to
R.A.C. Linzee Gordon of Cluny.
with Spink, London.
with Albany Gallery, London.
Anonymous sale; Sotheby's, London, 23 November 2006, lot 234, where purchased by the present owner.
Exhibited
Lonodn, Spink, English Watercolour Drawings, 1971, no. 87.
London, Albany Gallery, Autumn Exhibition of English Watercolour Drawings, 1971, no. 36.
Engraved
Probably the preliminary drawing for the lithograph in D. Roberts, The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, 1846, IV, pl. 24.

Brought to you by

Stefano Franceschi
Stefano Franceschi Specialist

Lot Essay

Roberts visited Esna twice during his journey on the Nile, as part of his eleven month tour of Egypt and the Holy Land. On the second occasion in November 1838, he wrote in his journal: ‘Whilst making my drawing I was nearly killed with kindness by the friendly Copts or Christians of this place…. They are all well dressed and indeed better so than the other inhabitants we meet with here. Several of them appear from the Ink cases they wear in their girdles to be scriveners and nearly all wear black or red turbans, but principally the former as well as black garments. I introduced a group of them in my sketch with which they seemed greatly pleased (MS Eastern Journal, 25 November 1838, National Library of Scotland, Acc. 7723⁄1). This may be the sketch to which he refers, rather than the later version made for the lithograph. It depicts the Ptolemaic-Roman pronaos (hypostyle hall) of the Temple of Khnum, with its impressive much-decorated columns, well observed by Roberts.
We are grateful to Briony Llewellyn for her help in preparing this catalogue entry.

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