A GEORGE III MAHOGANY AND EBONY TEA CADDY INSET WITH CHINESE EXPORT REVERSE PAINTINGS-ON-GLASS
A GEORGE III MAHOGANY AND EBONY TEA CADDY INSET WITH CHINESE EXPORT REVERSE PAINTINGS-ON-GLASS
A GEORGE III MAHOGANY AND EBONY TEA CADDY INSET WITH CHINESE EXPORT REVERSE PAINTINGS-ON-GLASS
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A GEORGE III MAHOGANY AND EBONY TEA CADDY INSET WITH CHINESE EXPORT REVERSE PAINTINGS-ON-GLASS
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Prospective purchasers are advised that several co… Read more
A GEORGE III MAHOGANY AND EBONY TEA CADDY INSET WITH CHINESE EXPORT REVERSE PAINTINGS-ON-GLASS

THE PAINTINGS QING DYNASTY, THE TEA CADDY CIRCA 1770

Details
A GEORGE III MAHOGANY AND EBONY TEA CADDY INSET WITH CHINESE EXPORT REVERSE PAINTINGS-ON-GLASS
THE PAINTINGS QING DYNASTY, THE TEA CADDY CIRCA 1770
The handled hinged top ornamented with checker-stringing and a later velvet backing, opening to a divided interior, inset to three sides with reverse paintings on glass of ladies and gentlemen in a landscape, the bottom right corner plaque replaced, lacking tea cannisters, with printed and inscribed Ann and Gordon Getty Collection inventory label
6 in. (15 cm.) high, 11 1/2 in. (29 cm.) wide, 6 in. (15 cm.) deep
Provenance
The Marjorie Wiggin Prescott Collection; Christie's, New York, 31 January 1981, lot 75.
Anonymous sale; Sotheby's, London, 8 March 1985, lot 51.
‌Acquired by Ann and Gordon Getty from the above.
Literature
The International Art Market, 3 March 1981, vol. XXI, no.3, p.54.
Exhibited
‌San Francisco, Asian Art Museum, A Curious Affair, the Fascination Between East and West, 17 June - 3 September 2006.
‌Fort Mason, San Francisco, The San Francisco Fall Antique Show, 24 - 31 October 2010.
Special Notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Brought to you by

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

Lot Essay

The technique for creating pictures on imported glass is thought to have been promoted in China by Father Giuseppe Castiglione (1688-1766) who reached Peking in 1715 and found favor with the Imperial rulers. The process had already been used in Europe, termed verre églomisé, and Chinese artists, already expert in painting and calligraphy, took up the practice, apply the pigments in the reverse of the normal order, beginning with the highlights and ending with the background. Common designs included still lives, birds and groups of figures, usually depicted against backgrounds of rivers or pavilions and mediums included glass pictures as well as mirrors, and on the rare occasion special luxury items such as the present lot. The finished articles were widely admired in European markets, and when sent back to Europe, enduring another hazardous sea voyage, they were quickly adopted along with Chinese porcelain, wallpaper, silks, and lacquer in the most fashionable circles desirous of the exotic.
A comparable George III tea caddy set with Chinese reverse-glass painted panels was sold from the Collection of the late Lord and Lady Swaythling; Christie’s, London, 26 May 2022, lot 1097 (£50,400 including premium).
The Prescott Collection, which included this rare tea caddy, was sold at Christie's New York on 31 January 1981, and was one of the most important English furniture collections of its time. The sale consisted mostly of late 17th and 18th century English furniture ranging from rare early stumpwork pieces, hangings and other small objects, to some exquisite pieces of Georgian walnut and mahogany furniture, including a George I‌ burr-walnut bureau-bookcase, and a George I walnut and oak dressing-table, both of which were previously in the Percival Griffiths Collection.

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