A GEORGE III GILTWOOD PIER MIRROR
A GEORGE III GILTWOOD PIER MIRROR
1 More
Please note this lot will be moved to Christie’s F… Read more
A GEORGE III GILTWOOD PIER MIRROR

ATTRIBUTED TO WILLIAM MATHIE, EDINBURGH, CIRCA 1765

Details
A GEORGE III GILTWOOD PIER MIRROR
ATTRIBUTED TO WILLIAM MATHIE, EDINBURGH, CIRCA 1765
With a pagoda cresting hung with a bell above an arched divided plate the scrolling foliate sides with entwined vinery perched with birds, the apron with a central pierced serpentine balustrade flanked by pagoda crested balustrade niches supported by shells, mirror plates largely replaced, with printed and inscribed Ann and Gordon Getty Collection inventory label
104 in. (264.1 cm.) high, 48 1/2 in. (123.2 cm.) wide
Provenance
Acquired from Mallett, London, in 1976.
Supplied by Parish-Hadley, New York, to Ann and Gordon Getty in 1976.
Special Notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

Brought to you by

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

Lot Essay

The attribution for this lot is based on other documented mirrors by Edinburgh furniture-maker (or 'wright') William Mathie, which feature a number of similar stylistic characteristics and distinctively shaped ornamental details. Mathie’s skill lay in the panache with which he executed his carved mirror frames: ‘Mathie knew a real joy in their creation. Trailing flowers cascade from one rococo scroll to another; aspiring plants with spiky leaves entwine themselves about the more solid framework of the glasses; gilded grass grows thickly about the inner frame’ (F. Bamford, ‘Two Scottish Wrights at Dumfries House, Furniture History, vol. 9, 1973, p. 86).
The elongated form corresponds to two pairs of mirrors at Mathie’s most celebrated commission, Dumfries House, Ayrshire, supplied in 1759 to William Crichton-Dalrymple, 5th Earl of Dumfries, sold respectively as lots 55 and 200 in ‘Dumfries House: A Chippendale Commission’, Christie’s, London, 12-13 July 2007 (before the house and its contents were saved for the nation). The balustraded balconies at the base of the frame are comparable to those found on of one of the Dumfries mirrors (lot 55). The sinuous giltwood foliate branches which entwine themselves around the framework of the mirror is also found on another Dumfries mirror by Mathie, lot 250 in the same sale, and another mirror supplied by Mathie to Francis Charteris, 7th Earl of Wemyss (1723-1808), for Amisfield House, near Haddington, Scotland, in 1760-61, and subsequently at Gosford House, Longniddry, sold Christie’s, London, 15 November 2017, lot 100 (£100,000 including premium).

More from The Ann & Gordon Getty Collection: Volume 3 | English and European Furniture, Porcelain and Silver, Day Sale

View All
View All