A PAIR OF NORTH EUROPEAN CUT-GLASS-MOUNTED ORMOLU AND WHITE MARBLE SIX-LIGHT CANDELABRA
A PAIR OF NORTH EUROPEAN CUT-GLASS-MOUNTED ORMOLU AND WHITE MARBLE SIX-LIGHT CANDELABRA
A PAIR OF NORTH EUROPEAN CUT-GLASS-MOUNTED ORMOLU AND WHITE MARBLE SIX-LIGHT CANDELABRA
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Please note this lot will be moved to Christie’s F… Read more
A PAIR OF NORTH EUROPEAN CUT-GLASS-MOUNTED ORMOLU AND WHITE MARBLE SIX-LIGHT CANDELABRA

ST. PETERSBURG OR BERLIN, CIRCA 1800

Details
A PAIR OF NORTH EUROPEAN CUT-GLASS-MOUNTED ORMOLU AND WHITE MARBLE SIX-LIGHT CANDELABRA
ST. PETERSBURG OR BERLIN, CIRCA 1800
Each with a vasiform columnar center raised on scrolled ormolu supports and fitted with curved candle branches, hung with faceted pendants and linked by ropes of cut-glass garlands, on cylindrical and incurved base with paw feet, with printed and inscribed Ann and Gordon Getty Collection inventory label
36 in. (91.5 cm.) high, 13 1/2 in. (34.5 cm.) wide
Provenance
Possibly acquired from Mallett, London, by Ann and Gordon Getty in 1995.
Special Notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

Brought to you by

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

Lot Essay

Although certainly of North European origin, these candelabra relate to designs featured in the Oeuvres of the Parisian corateur et dessinateur Richard de Lalonde, published between 1780 and 1796. Based on their distinctive design and craftsmanship, similar candelabra are usually attributed to Russian or German workshops. The present lot’s oval acanthus-cast scrolls to the branches and the flattened rectangular volute-form bases suggest that it is of North German, more specifically Berlin, manufacture. French designs were widely disseminated in numerous German media. Such a medium was the Weimar-published magazine entitled Journal des Luxus und der Moden, issued monthly between 1787 and 1812. The periodical featured content ranging from fashion to interior decorations and is known to have included designs for candelabra and chandeliers now closely associated with German ateliers, such as those in the July 1792 and March 1790 issues, plates 15 and 24, respectively. The candelabra offered here are of the same design as the single candelabrum attributed to a Russian workshop sold first Dealing in Excellence: A Celebration of Hotspur and Jeremy; Christie’s, London, 20 November 2008, lot 161, and then Anonymous Sale; Christie’s, London, 22 May 2019, lot 319 (£27,500).

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