ZENG FANZHI (B.1964)
ZENG FANZHI (B.1964)
ZENG FANZHI (B.1964)
2 More
On occasion, Christie's has a direct financial int… Read more PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION
ZENG FANZHI (B.1964)

Mask Series No.4

Details
ZENG FANZHI (B.1964)
Mask Series No.4
signed in Chinese, signed and dated '97 Zeng Fanzhi' (lower right)
oil on linen
169 x 199 cm. (66 1/2 x 78 3/8 in.)
Painted in 1997
Provenance
ShanghART Gallery, Shanghai
Private Collection (acquired from the above by the previous owner)
Sotheby’s Hong Kong, 5 October 2014, Lot 1037
Acquired at the above sale by the present owner
Literature
Pi Li (ed.), ShanghArt Gallery, Zeng Fanzhi 1993-1998, Shanghai, 1998 (illustrated, p. 38-39).
Pi Li & He Lijun (ed.), Hubei Fine Arts Publishing House, i/We: The Painting of Zeng Fanzhi 1991-2003, Wuhan, 2003 (thumbnail, unpaged; illustrated, p. 96-97).
Gao Minglu (ed.), Hubei Fine Arts Publishing House, The Portraits of 100 Most Influential Artists in Contemporary Chinese Art, Wuhan, 2005 (illustrated, p. 208).
Li Qi, Sichuan Fine Arts Publishing House, Zeng Fanzhi: The Eyes as the Soul, Chengdu, 2007 (illustrated, plate 11, p. 50-51).
Gladys Chung (ed.), Skira editore S.p.A., Zeng Fanzhi Catalogue Raisonné Volume I 1984-2004, Milano, 2019 (illustrated, Chinese p. 163 ; English p. 416-417, plate Z97-07).
Exhibited
Beijing, CIFA Gallery, The Central Academy of Fine Arts, Zeng Fanzhi 1993-1998, 28 March 1998. This exhibition also traveled to Shanghai, ShangArt Gallery, 17 -25 April 1998.
Beijing, Ullens Center for Contemporary Art, Our Future: The Guy & Myriam Ullens Foundation Collection, 19 July - 12 October 2008.
Hong Kong, Villepin Gallery, The Loss of Human Face?, 2 June – October 2022.
Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot. Where Christie’s has provided a Minimum Price Guarantee, it is at risk of making a loss, which can be significant if the lot fails to sell. Christie’s therefore sometimes chooses to share that risk with a third party who agrees prior to the auction to place an irrevocable written bid on the lot. If there are no other higher bids, the third party commits to buy the lot at the level of their irrevocable written bid. In doing so, the third party takes on all or part of the risk of the lot not being sold. Christie''s compensates the third party in exchange for accepting this risk provided that the third party is not the successful bidder. The remuneration to the third party may either be based on a fixed fee or an amount calculated against the final hammer price. The third party may also bid for the lot above the irrevocable written bid. Where the third party is the successful bidder, the third party is required to pay the hammer price and the buyer’s premium in full. Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.

Brought to you by

Jacky Ho (何善衡)
Jacky Ho (何善衡) Senior Vice President, Deputy Head of Department

More from 20th/21st Century Art Evening Sale

View All
View All