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PROPERTY FROM A PRIVATE NORWEGIAN COLLECTION
ODILON REDON (1840-1916)
Two Plates from: La Tentation de Saint-Antoine (Troisième série)
Details
ODILON REDON (1840-1916)
Two Plates from: La Tentation de Saint-Antoine (Troisième série)
two lithographs, 1896, including Plate XVII: Il tombe dans l’abime, la tête en bas (M. 150) and Plate XVIII: Antoine: Quel es le but de tout cela? Le Diable: Il n'y a pas de but! (M. 151), Plate XVII on Japan paper,
Plate XVIII on thin laid Japan paper, good impressions, both unsigned, presumably aside from the edition of fifty impressions on Chine appliqué paper, Plate XVII with narrow margins, Plate XVIII with wide margins, generally in good condition
Plate XVII:
Image 278 x 212 mm., Sheet 290 x 217 mm.
Plate XVIII:
Image 312 x 254 mm., Sheet 443 x 353 mm.
(2)
Two Plates from: La Tentation de Saint-Antoine (Troisième série)
two lithographs, 1896, including Plate XVII: Il tombe dans l’abime, la tête en bas (M. 150) and Plate XVIII: Antoine: Quel es le but de tout cela? Le Diable: Il n'y a pas de but! (M. 151), Plate XVII on Japan paper,
Plate XVIII on thin laid Japan paper, good impressions, both unsigned, presumably aside from the edition of fifty impressions on Chine appliqué paper, Plate XVII with narrow margins, Plate XVIII with wide margins, generally in good condition
Plate XVII:
Image 278 x 212 mm., Sheet 290 x 217 mm.
Plate XVIII:
Image 312 x 254 mm., Sheet 443 x 353 mm.
(2)
Provenance
Plate XVII:
With Paul Prouté, Paris.
Acquired from the above in circa 1990; then by descent to the present owner.
Plate XVIII:
With Galerie Michel, Paris.
Acquired from the above in circa 1990; then by descent to the present owner.
With Paul Prouté, Paris.
Acquired from the above in circa 1990; then by descent to the present owner.
Plate XVIII:
With Galerie Michel, Paris.
Acquired from the above in circa 1990; then by descent to the present owner.
Literature
Mellerio 150 & 151
Brought to you by
Stefano Franceschi
Specialist