WOLFGANG TILLMANS (B. 1968)
WOLFGANG TILLMANS (B. 1968)
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Artist's Resale Right ("Droit de Suite"). Artist's… Read more
WOLFGANG TILLMANS (B. 1968)

Freischwimmer 39

Details
WOLFGANG TILLMANS (B. 1968)
Freischwimmer 39
signed and numbered 'Wolfgang Tillmans 1/1 + 1' (on a label affixed to the backing board)
C-print mounted on Dibond, in artist's frame
image: 70 3/4 x 94 1/2in. (179.6 x 240cm.)
overall: 74 3/4 x 98 3/8in. (190 x 250cm.)
Executed in 2004, this work is number one from an edition of one, plus one artist’s proof
Provenance
Galería Juana de Aizpuru, Madrid.
Acquired from the above by the present owner in 2005.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. This lot will be removed to our storage facility at Momart. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Momart. All collections from Momart will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends. This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Further Details
‘It is central to how I work, being open to what’s there and working in this intersection, interplay of intention and chance, control and coincidence. It is important that I do allow both and that I don’t insist on only one rhetoric, on only one method of working […] I think art is most interesting when it’s somehow a co-existence of chance and control, of what I know, what I try to control, and what I can’t–for me of course, it’s always somehow about representing what I see with my eyes.’ WOLFGANG TILLMANS

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