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Interfaces 15 and 16
Details
DIETER ROTH (1930-1998) & RICHARD HAMILTON (1922-2011)
Interfaces 15 and 16
inside centre left panel: signed with the artists' initials, inscribed and dated 'RH 1977 15 D.R.' (lower edge)
inside centre right panel: signed with the artists' initials, inscribed and dated 'D.R. 19.7.77 16 RH' (lower edge)
assemblage of acrylic and resin on cibachrome print, acrylic on cibachrome print, two cibachrome prints on plywood board, acrylic and rubber on plywood board and household gloss and found object collage on printed paper on plywood board, in artist's box
closed: 17 3/8 x 24 1/4 x 2 3/8in. (44 x 61.5 x 6cm.)
open: 17 3/8 x 48 3/8 x 1 1/8in. (44 x 123 x 3cm.)
Executed in 1977-1978
Interfaces 15 and 16
inside centre left panel: signed with the artists' initials, inscribed and dated 'RH 1977 15 D.R.' (lower edge)
inside centre right panel: signed with the artists' initials, inscribed and dated 'D.R. 19.7.77 16 RH' (lower edge)
assemblage of acrylic and resin on cibachrome print, acrylic on cibachrome print, two cibachrome prints on plywood board, acrylic and rubber on plywood board and household gloss and found object collage on printed paper on plywood board, in artist's box
closed: 17 3/8 x 24 1/4 x 2 3/8in. (44 x 61.5 x 6cm.)
open: 17 3/8 x 48 3/8 x 1 1/8in. (44 x 123 x 3cm.)
Executed in 1977-1978
Provenance
Waddington Galleries, London.
Acquired from the above by the present owner in 1986.
Acquired from the above by the present owner in 1986.
Exhibited
London, Waddington and Tooth Galleries II, INTERFACEs: Richard Hamilton Dieter Roth, 1978, p. no. 8. This exhibition later travelled to Manchester, The Whitworth Art Gallery.
Biel, Kunsthaus Pasquart, Au centre l’artiste, 2000.
Biel, Kunsthaus Pasquart, Ins Licht – Skizze einer Privatsammlung Schweizer Kunst, 1970-2000, 2002.
Porto, Serralves Museum, Dieter Roth Richard Hamilton Collaborations, Relations, Confrontations, 2002, p. 208 (illustrated in colour, pp. 96-97).
Basel, Schaulager, Roth Time: A Dieter Roth Retrospective, 2003-2004, p. 277, no. 214 (illustrated in colour, p. 179). This exhibition later travelled to Cologne, Museum Ludwig and New York, The Museum of Modern Art.
Aarau, Aargauer Kunsthaus Dieter Roth – Selbste, 2011, p. 116 (Interface 15 illustrated in colour, p. 31); and in the accompanying index booklet (illustrated in black white, p.45). This exhibition later travelled to Salzburg, Museum der Moderne Salzburg Mönchsberg, 2012.
Biel, Kunsthaus Pasquart, Au centre l’artiste, 2000.
Biel, Kunsthaus Pasquart, Ins Licht – Skizze einer Privatsammlung Schweizer Kunst, 1970-2000, 2002.
Porto, Serralves Museum, Dieter Roth Richard Hamilton Collaborations, Relations, Confrontations, 2002, p. 208 (illustrated in colour, pp. 96-97).
Basel, Schaulager, Roth Time: A Dieter Roth Retrospective, 2003-2004, p. 277, no. 214 (illustrated in colour, p. 179). This exhibition later travelled to Cologne, Museum Ludwig and New York, The Museum of Modern Art.
Aarau, Aargauer Kunsthaus Dieter Roth – Selbste, 2011, p. 116 (Interface 15 illustrated in colour, p. 31); and in the accompanying index booklet (illustrated in black white, p.45). This exhibition later travelled to Salzburg, Museum der Moderne Salzburg Mönchsberg, 2012.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
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