GEORGES JOUVE (1910-1964)
GEORGES JOUVE (1910-1964)
GEORGES JOUVE (1910-1964)
GEORGES JOUVE (1910-1964)
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Art of Collecting: A Pacific Island Connoisseur of Art and Design
GEORGES JOUVE (1910-1964)

'Cylindre' Vase, circa 1955

Details
GEORGES JOUVE (1910-1964)
'Cylindre' Vase, circa 1955
glazed ceramic
4 1/2 in. (11.5 cm) high, 2 1/2 in. (6.4 cm) diameter
incised JOUVE and with artist's cypher
Provenance
Galerie Downtown Francois Laffanour, Paris
Acquired from the above by the present owner
Literature
Georges Jouve: Minimalist Ceramic Works, exh. cat., Galerie L’Arc en Seine, New York, 2005, n.p., no. 1, 2 and 11 (for related examples)
P. Jousse, Georges Jouve, Paris, 2006, pp. 18-19, 62-65, 102-103, 150-151, 254-255, 259, 285, 287-290, 312 (for related examples)
C. and S. de Beyrie, Georges Jouve: À la lumière d’Apollon, Brussels, 2021, pp. 114, 134-144 (for related examples)

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Michael Jefferson
Michael Jefferson International Senior Specialist, Senior Vice President

Lot Essay

Georges Jouve’s ceramics illustrate experiments in glazes and form. In principle, the vases were made not to have anything put in them, as they were “full of life” however, the various shapes are certainly utilitarian, even as archetypal objects. For Jouve, the sculptural, cylindrical forms were “a form of self-expression, a desire for beauty.” The Cylindre vases were sold as early as 1955 at the Galerie Arcade before they were retailed by Steph Simon in 1960. They came in a palette of monotone matte glazes including, gunmetal black, bone white, lime green, vibrant yellow, and selenium red.

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