Lot Essay
“From having zero interest or references to classical art, but grabbing a profusion of cartoon and movie references, to literally covering strokes by using the airbrush, [Abdella's] work exists in its own parallel universe. And while the concept of slapping up an actual object on a canvas might feel like cheating, the masterfully painted scenes are a confident middle finger to anyone making that assessment. Engrossed in blurring the lines between painting and sculpture, influenced by the aesthetics and ambiance of the ’50s and ’60s, and somehow recalibrated to view reality through a cinematic lens, Abdella finds a way to wallow gleefully through the moments of personal misery we all experience.”
—S. Bogojev, “Trey Abdella: Still in Detention,” Juxtapoz, no. 216, Winter 2021, p. 121.
—S. Bogojev, “Trey Abdella: Still in Detention,” Juxtapoz, no. 216, Winter 2021, p. 121.