ATTRIBUTED TO SOPHIE RUDE (DIJON 1797-1867 PARIS)
ATTRIBUTED TO SOPHIE RUDE (DIJON 1797-1867 PARIS)
ATTRIBUTED TO SOPHIE RUDE (DIJON 1797-1867 PARIS)
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ATTRIBUTED TO SOPHIE RUDE (DIJON 1797-1867 PARIS)

Portrait of a lady, full-length, seated at a table, holding a fan

Details
ATTRIBUTED TO SOPHIE RUDE (DIJON 1797-1867 PARIS)
Portrait of a lady, full-length, seated at a table, holding a fan
oil on canvas
65 1/2 x 47 3/8 in. (166.5 x 120.2 cm.)
Provenance
with The Cider House Galleries, Norfolk House, Bletchingley (according a a label on the reverse).
Anonymous sale; Wooley & Wallis, London, 2 March 2022, lot 425, as Attributed to François-Joseph Kinson.

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Lot Essay

Sophie Rude was born into an artistically inclined family – her father was an assistant curator at the Musée des Beaux-Arts de Dijon and a patron of contemporary artists – and trained initially under Anatole Devosge, a pupil of Jacques-Louis David. The family was compelled to move to Brussels due to their staunch Bonapartist sensibilities, a move which enabled her to finish her studies with David himself. Rude became a successful artist in Brussels, receiving numerous commissions, including for the decoration of the royal palace at Tervuren (now destroyed). In 1826, she returned to France, settling in Paris. She is predominantly known for her mythological scenes, though she also turned her brush to both religious paintings and portraits.

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