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A Century of Art: The Gerald Fineberg Collection
CINDY SHERMAN (B. 1954) AND RICHARD PRINCE (B. 1949)
Double Self-Portrait
Details
CINDY SHERMAN (B. 1954) AND RICHARD PRINCE (B. 1949)
Double Self-Portrait
ektacolor print, in two parts
each image: 15 1/4 x 23 1/4 in. (38.7 x 59 cm.)
Executed in 1980. This work is from an edition of ten.
Double Self-Portrait
ektacolor print, in two parts
each image: 15 1/4 x 23 1/4 in. (38.7 x 59 cm.)
Executed in 1980. This work is from an edition of ten.
Provenance
Richard Prince, New York
Arron Klein, 1980
Corkin Shopland Gallery, Toronto
Private collection, New York, 2005
Acquired from the above by the present owner, 2009
Arron Klein, 1980
Corkin Shopland Gallery, Toronto
Private collection, New York, 2005
Acquired from the above by the present owner, 2009
Literature
D. Salvioni, "Richard Prince, Realist", Parkett, No. 34, Zurich, 1992, p. 106 (another example illustrated).
Richard Prince, New York, Whitney Museum of American Art, 1992, p. 35 (another example illustrated).
E. Janus, Veronica's Revenge- The Lambert Art Collection, Zurich 1998, pp. 241-242 (another example illustrated).
C. Morris, The Essential Cindy Sherman, New York,1999, pp. 4-5 (detail of another example illustrated).
M. Newman, Richard Prince: Untitled (couple), Massachusetts and London, 2006, p. 130.
Richard Prince, New York, Whitney Museum of American Art, 1992, p. 35 (another example illustrated).
E. Janus, Veronica's Revenge- The Lambert Art Collection, Zurich 1998, pp. 241-242 (another example illustrated).
C. Morris, The Essential Cindy Sherman, New York,1999, pp. 4-5 (detail of another example illustrated).
M. Newman, Richard Prince: Untitled (couple), Massachusetts and London, 2006, p. 130.
Exhibited
Munich, Sammlung Goetz, Jürgen Klauke, Cindy Sherman, September-March 1994, pp. 10 and 46 (illustrated, another example exhibited).
Paris, Musée National d'Art Moderne, Centre Georges Pompidou, fémininmasculin-Le sexe de l'art, October 1995-February 1996, pp. 138 and 382, nos. 164-165 (illustrated, another example exhibited).
New York, The Museum of Modern Art, On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, September 1997-January 1998, p. 112 (illustrated, another example exhibited).
Toronto, The Power Plant, American Playhouse- The Theatre of Self-Representation, June-September 1998, pp. 74-75 and 101 (illustrated, another example exhibited).
Tokyo, Hara Museum of Contemporary Art; Hanover, Kestner-Gesellschaft; Paris, Centre National de la Photographie; Berlin, Akademie der Künste; and New York, P.S.1, The Promise of Photography- The DG Bank Collection, October 1998-October 1999, p. 307 and 353 (illustrated, another example exhibited).
Paris, Musée National d'Art Moderne, Centre Georges Pompidou, fémininmasculin-Le sexe de l'art, October 1995-February 1996, pp. 138 and 382, nos. 164-165 (illustrated, another example exhibited).
New York, The Museum of Modern Art, On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, September 1997-January 1998, p. 112 (illustrated, another example exhibited).
Toronto, The Power Plant, American Playhouse- The Theatre of Self-Representation, June-September 1998, pp. 74-75 and 101 (illustrated, another example exhibited).
Tokyo, Hara Museum of Contemporary Art; Hanover, Kestner-Gesellschaft; Paris, Centre National de la Photographie; Berlin, Akademie der Künste; and New York, P.S.1, The Promise of Photography- The DG Bank Collection, October 1998-October 1999, p. 307 and 353 (illustrated, another example exhibited).
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