CLAUDE LALANNE (1905-2019)
CLAUDE LALANNE (1905-2019)
CLAUDE LALANNE (1905-2019)
CLAUDE LALANNE (1905-2019)
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CLAUDE LALANNE (1925-2019)

'Petite Fille à la Poule', 1984

Details
CLAUDE LALANNE (1925-2019)
'Petite Fille à la Poule', 1984
patinated bronze
63 x 15 x 13 1/2 in. (160 x 38.1 x 34.3 cm)
girl monogrammed CL, stamped LALANNE and CLAUDE LALANNE, dated 84 and numbered 1/8
base monogrammed CL, stamped LALANNE, dated 84 and numbered 1/8
Provenance
Private Collection, Paris and California, acquired directly from the artist
Thence by descent to the present owner
Literature
J.-L. Gaillemin, “Atelier Lalanne”, Architectural Digest, February 1981, p. 116
Les Lalanne, exh. cat., Christian Fayt Art Gallery, Knokke-Heist, 1984, n.p., no. 2
Les Lalannes: Claude and François-Xavier Lalanne, exh. cat., Marisa del Re Gallery, New York, 1988, n.p.
R. Rosenblum, Les Lalanne, Geneva, 1991, pp. 23, 122
D. Marchesseau, The Lalannes, Paris, 1998, pp. 106-107
Claude & François-Xavier Lalanne: Fragments, exh. cat., Galerie Enrico Navarra, Paris and JGM Galerie, Paris, 2000, p. 19
W. Peterson, ed., François-Xavier & Claude Lalanne: Dreams for the Light of Day, exh. cat., Gerald Peters Gallery, Santa Fe, 2000, p. 49
Claude et François-Xavier Lalanne: Sculptures 2000-2002, exh. cat., JGM Galerie, 2002, p. 45
R. Krakoff, et. al., Claude & François-Xavier Lalanne, exh. cat., Paul Kasmin Gallery, New York and Ben Brown Fine Arts, London, 2006, p. 55
D. Abadie, Lalanne(s), Paris, 2008, p. 44
P. Kasmin, Claude & François-Xavier Lalanne: Art, Work, Life, New York, 2012, n.p.
F.-M. Banier and J.-G. Mitterrand, Claude et François-Xavier Lalanne, vol. 1, Montreuil, 2018, p. 51

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Daphné Riou
Daphné Riou SVP, Senior Specialist, Head of Americas

Lot Essay

The work of Claude Lalanne often evokes feelings of surprise and amusement when viewing the juxtaposed surreal creations that no doubt allude to her unique sense of humor. Although, at first glance, her creations may appear odd and unexpected, there is a sense of familiarity provided by her utilization of the people and organic elements commonly found in the world around her. Claude Lalanne’s Petite Fille à la Poule was created using a combination of molding and electroplating that lends itself to a higher level of craftsmanship. A significant part of what distinguishes her from others is the texture-driven richness and the level of detail that this process enables.

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