WENDELL CASTLE (1932-2018)
WENDELL CASTLE (1932-2018)
WENDELL CASTLE (1932-2018)
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WENDELL CASTLE (1932-2018)
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WENDELL CASTLE (1932-2018)

Unique Piano Bench, 1963

Details
WENDELL CASTLE (1932-2018)
Unique Piano Bench, 1963
Brazilian rosewood
19 3/4 x 25 7/8 x 14 1/4 in. (50.1 x 65.6 x 36.2 cm)
signed and dated W.C. "63"
Provenance
Private Collection, New York
Rago, Lambertville, New Jersey, 21 January 2022, lot 507
Acquired from the above by the present owner
Literature
A. Gordon, Wendell Castle: Wandering Forms - Works from 1959-1979, New York, 2012, p. 73 (present lot illustrated)
E. Evans Eerdmans, Wendell Castle: A Catalogue Raisonné 1958-2012, New York, 2014, p. 91 (present lot illustrated)
Exhibited
The American Craftsman, Museum of Contemporary Crafts, New York, NY, May 22 - September 13 1964
Special Notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

Brought to you by

Daphné Riou
Daphné Riou SVP, Senior Specialist, Head of Americas

Lot Essay

The present lot is noted as studio inventory number 48 and number IL.199 in the Wendell Castle catalogue raisonné.

Wendell Castle made a number of pianos, music stands, and piano benches throughout his career, beginning during the marriage to his first wife, a professional singer enrolled at the Eastman School of Music in Rochester, New York. Although he began creating musical accouterments for her and other musicians enrolled at the school, he continued long after their separation. This piano bench is made of the familiar stack laminate technique, which allowed Wendell Castle to create forms that were not easily constructed from a single piece of wood. He could stack and glue layers of wooden planks and carve them into shapes that appear to defy gravity due to the strength added through the lamination process. Their unusual shapes extend and grow into the ground resembling the roots of a mangrove tree- organic and free.

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