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Lot Essay
The present work was begun during a visit to Campbeltown, West Scotland, in the autumn of 1859. Two preliminary compositions for 'The Builders,' as it was originally known, were submitted to the discerning Glaswegian collector, Robert Craig. Craig purchased the finished painting, the present lot, and proposed its new title, Past and Present. The sketch was acquired by Caw, and later bequeathed to the collection of the Scottish National Gallery, Edinburgh. James L. Caw, author of the artist’s major critical biography and first Director of the National Galleries of Scotland, describes Past and Present as ‘McTaggart’s most important picture this year, at once larger and more complex than any he had attempted.’ (J. L. Caw, William McTaggart, A Biography and an Appreciation, Glasgow, 1917, p. 26.)
Set within the ancient graveyard of the dilapidated church of Kilchousland, Past and Present offers a thought-provoking exploration of the interplay between childhood and mortality, subtly hinting at the transience of human existence. The work’s focal point centres on three young boys engaged in the playful act of constructing a wall or tower using discarded bricks. Adjacent to them, an older girl and a younger child observe, ready to contribute to the effort. This idyllic scene, bathed in radiant sunlight, is juxtaposed with the contemplative presence of an elderly man who observes from the shadows of the church wall. These figures, coupled with the backdrop of the dilapidated church and the time-worn gravestones, conjures up a symbolic narrative that juxtaposes the innocence of youth with the contemplations of age. This painting can be regarded as a compelling synthesis of past and present, skilfully executed with technical virtuosity and a keen sensitivity to thematic depth.
McTaggart's position at the forefront of Scottish painting tradition is evident in his treatment of light and colour, as he deftly captures the interplay of tonal interrelations. The structural coherence of the group of figures, jewel-like palette, and skilful rendering of cast shadows and reflected lights of the children in contrast to the stone walls contributes to the painting’s overall luminous quality. Certainly, Past and Present stands as a testament to William McTaggart’s artistic prowess and enduring legacy within the realm of Scottish painting.
Set within the ancient graveyard of the dilapidated church of Kilchousland, Past and Present offers a thought-provoking exploration of the interplay between childhood and mortality, subtly hinting at the transience of human existence. The work’s focal point centres on three young boys engaged in the playful act of constructing a wall or tower using discarded bricks. Adjacent to them, an older girl and a younger child observe, ready to contribute to the effort. This idyllic scene, bathed in radiant sunlight, is juxtaposed with the contemplative presence of an elderly man who observes from the shadows of the church wall. These figures, coupled with the backdrop of the dilapidated church and the time-worn gravestones, conjures up a symbolic narrative that juxtaposes the innocence of youth with the contemplations of age. This painting can be regarded as a compelling synthesis of past and present, skilfully executed with technical virtuosity and a keen sensitivity to thematic depth.
McTaggart's position at the forefront of Scottish painting tradition is evident in his treatment of light and colour, as he deftly captures the interplay of tonal interrelations. The structural coherence of the group of figures, jewel-like palette, and skilful rendering of cast shadows and reflected lights of the children in contrast to the stone walls contributes to the painting’s overall luminous quality. Certainly, Past and Present stands as a testament to William McTaggart’s artistic prowess and enduring legacy within the realm of Scottish painting.