A LARGE STONEWARE JAR
A LARGE STONEWARE JAR
A LARGE STONEWARE JAR
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A LARGE STONEWARE JAR
11 More
PROPERTY FORMERLY IN THE COLLECTION OF MARSHALL FIELD V
A LARGE STONEWARE JAR

MUROMACHI PERIOD (15TH CENTURY), SHIGARAKI WARE

Details
A LARGE STONEWARE JAR
MUROMACHI PERIOD (15TH CENTURY), SHIGARAKI WARE
Of ovoid form with high shoulders and tall everted neck ending in a rolled lip, the reddish brown body dense with granules of feldspar and fused with natural brownish-green ash glaze streaming to the base on one side, the base with a hiragana ku-looking mark
18 ½ in. (47 cm.) high
Provenance
Shimojo Art Co. Ltd., Tokyo
Marshall Field V (b. 1941), aquired from above, March 2004
Thence by gift to the present owner
Literature
Miho Museum ed. Ko-shigaraki: jars from Shigaraki's Medieval Kilns (Otsu City: Miho Museum, 1999). No. 146, p 122.
Miho Museum ed. Shigaraki kotsubo taisei (Tokyo: Shogakkan, 1999). Plate 5.
Exhibited
'Ko-shigaraki: Jar from Shigaraki's Medieval Kilns'. Miho Museum, Shiga, Japan. 1 September-15 December 1999

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

Lot Essay

Shigaraki ware refers to stoneware pottery crafted within the Shigaraki valley of Shiga Prefecture, located approximately 50 km east of Kyoto. Benefiting from the nearby Lake Biwa, the area provides abundant clay that contains iron and is suitable for making pottery. Following prolonged exposure to intense firing at elevated temperatures, these clays metamorphose into unglazed, exquisite Shigaraki jars with a diverse array of appearances and personalities.
While the precise inception of the Shigaraki kiln remains a topic of debate, there is a widely held consensus that it flourished during the medieval period and is presently regarded as one of the Six Ancient Kilns of Japan. Dominating the kiln's output from the late 13th to the 16th century were three shapes: the narrow-necked jars (tsubo, as seen in the present lot), the wide-mouthed jars (kame), and the grating dishes (suribachi). These jars, fashioned through the hagizukuri technique, entail the stacking of four to five layers of clay, often discernibly manifesting the joints of these strata on the surface. The inherent coarseness of Shigaraki clay engenders permeability in the vessels, endowing them with the capacity to preserve rice and tea leaves, as opposed to liquids.

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