A CARVED WOOD SCULPTURE OF A STANDING YAKUSHI NYORAI (BHAISAJYAGURU)
A CARVED WOOD SCULPTURE OF A STANDING YAKUSHI NYORAI (BHAISAJYAGURU)
A CARVED WOOD SCULPTURE OF A STANDING YAKUSHI NYORAI (BHAISAJYAGURU)
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A CARVED WOOD SCULPTURE OF A STANDING YAKUSHI NYORAI (BHAISAJYAGURU)
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A CARVED WOOD SCULPTURE OF A STANDING YAKUSHI NYORAI (BHAISAJYAGURU)

EDO PERIOD (17TH CENTURY), CARVED BY ENKU (1632-1695)

Details
A CARVED WOOD SCULPTURE OF A STANDING YAKUSHI NYORAI (BHAISAJYAGURU)
EDO PERIOD (17TH CENTURY), CARVED BY ENKU (1632-1695)
Carved in single-block technique (ichiboku-zukuri) as the Bhaisajyaguru buddha standing on a lotus pedestal, the hands holding a medicine jar, leaning slightly towards the front
17 1/8 in. (43.5 cm.) high
Literature
Rirkrit Tiravanija, Okayama Art Summit 2022: Do we dream under the same sky (Japan: Culture Convenience Club Co., Ltd, 30 September 2022). Pp. 68.

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

Lot Essay

Enku was born into a poor family in Gifu Prefecture in the early 17th century and left home as a boy to enter a local temple affiliated with the Tendai sect. In his twenties, he learned the rudiments of carving from itinerant woodworkers and began traveling as an itinerant monk-sculptor, leaving behind thousands of rough-hewn, powerful Buddhist images, many of which he donated to local temples and the people who gave him shelter along the way.

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