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Chantier Barbès-Rochechouart
Details
PIERRE HUYGHE (B. 1962)
Chantier Barbès-Rochechouart
offset print
30 ¾ x 42 ¼in. (78 x 107.4cm.)
Executed in 1994, this work is number three from an edition of three plus two artist's proofs
Chantier Barbès-Rochechouart
offset print
30 ¾ x 42 ¼in. (78 x 107.4cm.)
Executed in 1994, this work is number three from an edition of three plus two artist's proofs
Provenance
Galerie Roger Pailhas, Marseille.
Hammer Galleries Limited, London (acquired from the above).
Acquired from the above by the present owner in 1999.
Hammer Galleries Limited, London (acquired from the above).
Acquired from the above by the present owner in 1999.
Literature
O. Zahm, ‘Openings: Pierre Huyghe’, in Artforum, vol. 35, no. 7, March 1997, p. 82 (illustrated in colour, p. 83).
H. Ander and L. Godwin (eds.), Pierre Huyghe-Some Negotiations, exh. cat., Munich, Kunstverein München, 2000, pp. 172-173 (another from the edition exhibited; illustrated in colour, pp. 10-11).
C. Christov-Bakargiev (ed.), Pierre Huyghe, exh. cat., Milan, Castello di Rivoli Museo d'Arte Contemporanea, 2004, p. 439 (another from the edition illustrated in colour, p. 163).
G. Baker, ‘An Interview with Pierre Huyghe’, in October, vol. 100, 2004 (illustrated, p. 88). N. Bourriaud, 'The reversibility of the real', in Tate Etc., issue 7, Summer 2006, p. 78 (another from the edition illustrated in colour, p. 81).
L. Gauthier (ed.), French Connection, Belgium 2008 (another from the edition illustrated in colour, p. 337).
A. Barikin, Parallel Presents: The Art of Pierre Huyghe, Cambridge 2012, fig. 1.5 (another from the edition illustrated, p. 24).
A. Köhler, Déjà-vu-Effekte: Intertextualität und Erinnerung in inszenierter Fotografie, Bielefeld 2018, FT. 2 (another from the edition illustrated, p. 56; illustrated in colour, p. 374).
H. Ander and L. Godwin (eds.), Pierre Huyghe-Some Negotiations, exh. cat., Munich, Kunstverein München, 2000, pp. 172-173 (another from the edition exhibited; illustrated in colour, pp. 10-11).
C. Christov-Bakargiev (ed.), Pierre Huyghe, exh. cat., Milan, Castello di Rivoli Museo d'Arte Contemporanea, 2004, p. 439 (another from the edition illustrated in colour, p. 163).
G. Baker, ‘An Interview with Pierre Huyghe’, in October, vol. 100, 2004 (illustrated, p. 88). N. Bourriaud, 'The reversibility of the real', in Tate Etc., issue 7, Summer 2006, p. 78 (another from the edition illustrated in colour, p. 81).
L. Gauthier (ed.), French Connection, Belgium 2008 (another from the edition illustrated in colour, p. 337).
A. Barikin, Parallel Presents: The Art of Pierre Huyghe, Cambridge 2012, fig. 1.5 (another from the edition illustrated, p. 24).
A. Köhler, Déjà-vu-Effekte: Intertextualität und Erinnerung in inszenierter Fotografie, Bielefeld 2018, FT. 2 (another from the edition illustrated, p. 56; illustrated in colour, p. 374).
Brought to you by
Anna Touzin
Specialist, Head of Day Sale