A REGENCY MAHOGANY CABINET OR 'RECESS'
A REGENCY MAHOGANY CABINET OR 'RECESS'
A REGENCY MAHOGANY CABINET OR 'RECESS'
1 More
A REGENCY MAHOGANY CABINET OR 'RECESS'
4 More
A REGENCY MAHOGANY CABINET OR 'RECESS'

DESIGNED BY THOMAS HOPE FOR HIS RESIDENCE ON DUCHESS STREET, CIRCA 1800, PROBABLY CARVED BY THOMAS BOGAERT

Details
A REGENCY MAHOGANY CABINET OR 'RECESS'
DESIGNED BY THOMAS HOPE FOR HIS RESIDENCE ON DUCHESS STREET, CIRCA 1800, PROBABLY CARVED BY THOMAS BOGAERT
The central section of the top of pedimented form and decorated with scrolling anthemion above a central section divided into a demi-lune and a rectangular recess flanked by a section to either side divided into four small demi-lune recesses, on a stepped plinth, inscribed to the underside in blue pencil '81847', on later calamander base
24 3⁄8 in. (62 cm.) high; 26 5⁄8 in. (67.7 cm.) wide; 4 7⁄8 in. (12.7 cm.) deep
Provenance
Presumably Thomas Hope, Duchess Street, Third Vase Room.
Kenneth S. Harris, until sold; Sotheby's, Chicago, 20 June 1999, lot 427.
Literature
Thomas Hope, Household Furniture and Interior Decoration: Classic style Book of the Regency Period, plate XXVII.

Brought to you by

Benedict Winter
Benedict Winter Associate Director, Specialist

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay


This intriguing cabinet or ‘recess’ graced the Third Vase Room at Thomas Hope’s palatial London creation on Duchess Street, and is shown above a chimneypiece in plate 4 of Hope’s ‘Household Furniture and Interior Decoration’ housing elements of Hope’s vast collection of Greek and Roman antiquities.
It is likely the execution of this recess was undertaken by the enigmatic Peter Bogaert, of whom little is known but who appears to have worked in London from 1786 until at least 1819; Hope refers to ‘two men, to whose industry and talent I could in some measure confide the execution of the more complicate [sic] and more enriched portion of my designs; namely Decaix and Bogaert: the first a bronzist, and a native of France; the other a carver, and born in the Low Counties.’ (T. Hope, Household Furniture and Interior Decoration, London, 1807, p. 10.) A table, originally at Duchess Street, which bears the idiosyncratic classical vision of Hope and also attributed to Bogaert is in the collections of the V&A (see W.1-2004).

More from Philip Hewat-Jaboor: An Eye for the Magnificent

View All
View All