A GEORGE IV GILT-BRONZE-MOUNTED EBONY, AMARANTH AND MAHOGANY BREAKFRONT SIDE CABINET
A GEORGE IV GILT-BRONZE-MOUNTED EBONY, AMARANTH AND MAHOGANY BREAKFRONT SIDE CABINET
A GEORGE IV GILT-BRONZE-MOUNTED EBONY, AMARANTH AND MAHOGANY BREAKFRONT SIDE CABINET
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A GEORGE IV GILT-BRONZE-MOUNTED EBONY, AMARANTH AND MAHOGANY BREAKFRONT SIDE CABINET

ATTRIBUTED TO ROBERT HUME, CIRCA 1825

Details
A GEORGE IV GILT-BRONZE-MOUNTED EBONY, AMARANTH AND MAHOGANY BREAKFRONT SIDE CABINET
ATTRIBUTED TO ROBERT HUME, CIRCA 1825
The rectangular slate top centred by an inlaid Jasper and alabaster panel with scallop outline above a relief-carved foliate frieze and conforming architrave, the central section with one long drawer above a glazed cupboard door, the flanking sections each with two shelves, on plinth base
35 in. (88.5 cm.) high; 42 ¾ in. (108.5 cm.) wide; 10 5⁄8 in. (27 cm.) deep
Provenance
Purchased from James Graham-Stewart, London, 17 February 1999 (£10,000).

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Lot Essay


This cabinet, both in its design and construction, bears remarkable similarities to work completed by Robert Hume and Son, for William Beckford at both Fonthill Abbey and Lansdown Tower. The overall form is similar to the bases of four oak coffers and stands supplied by Hume circa 1831, which were located at either end of the Scarlet Drawing Room, and illustrated in W. Maddox, Views of Lansdown Tower, Bath, 1844. Although the present lot slightly pre-dates the Lansdown Tower commission, it is highly conceivable that this cabinet with its firm attribution to Robert Hume and Sons may have been a Beckford commission, particularly given the closeness and long-standing relationship between Beckford and the firm (see footnote to lot 48).

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