YOKOMIZO MIYUKI (B. 1968)
YOKOMIZO MIYUKI (B. 1968)
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YOKOMIZO MIYUKI (B. 1968)

Line. S030.264.2020

Details
YOKOMIZO MIYUKI (B. 1968)
Line. S030.264.2020
Signed Miyuki Yokomizo, titled and dated 2020 on reverse
Oil on canvas
35 7/8 x 35 7/8 in. (91.1 x 91.1 cm.)
Provenance
Takashimaya Department Store
Literature
MIYUKI YOKOMIZO (Tokyo: Hehe, 2021). Pp 8-9.
Exhibited
'Plane and Three-dimention: Resonant Nostalgia', Takashimaya, Tokyo, 29 September-5 October, 2020

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

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Lot Essay

Yokomizo's paintings consist of an accumulation of vertical and horizontal lines. Rather than using a brush, she applies paint to a thread stretched over a canvas and flicks it with her fingers, creating a grid-like trajectory. Splashes of paint, smearing, overlapping colors, and a sense of chance beyond the artist's control, engrave the trajectory of the action onto the canvas. However, Yokomizo insists that her work is sculpture. She states, "She plays the threads as if carving, engraving and scraping the sculptures", and "Physical acts are important, and she creates paintings that are more like sculptures than paintings".

"Visible, however impossible to touch.
Invisible but existent.
A sign in life, an indication of the ambiguous.
One recognizes it.
How ever one cannot be certain.
I attempt to express vague existence."
-Yokomizo Miyuki

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