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Lot Essay
This exceptionally rare, perhaps even unique, double-sided print affords a rare opportunity to glimpse into the process of Yoshida Hiroshi's method in creating color-variation prints, known as "betsuzuri." This technique, pioneered by Yoshida, was first employed during his collaboration with Watanabe Shozaburo in 1921, beginning with the Hansen (Sailing Boats) series, which featured three variations.
One side of the present lot depicts Mount Rainier, dating back to 1925. It appears there was a deficiency—possibly an issue with color registration—that prevented it from meeting Yoshida's rigorous standards for public release.
In 1926, having embarked on self-publishing, Yoshida revisited the Hansen series. This revisitation culminated in its presentation at the 8th Imperial Art Academy Exhibition, with Yoshida serving on the jury for the Print section. For this new iteration, he expanded upon the original 1921 Hansen composition, introducing six fresh color variations that showcase his acute ability to capture subtle shifts in color and ambiance.
The reverse side of the current piece documents his experimental efforts with the Kiri (Mist) variation of the series. Here, the sail is rendered in a pronounced brown hue, setting it apart from the grey-toned sail observed in the final print.
One side of the present lot depicts Mount Rainier, dating back to 1925. It appears there was a deficiency—possibly an issue with color registration—that prevented it from meeting Yoshida's rigorous standards for public release.
In 1926, having embarked on self-publishing, Yoshida revisited the Hansen series. This revisitation culminated in its presentation at the 8th Imperial Art Academy Exhibition, with Yoshida serving on the jury for the Print section. For this new iteration, he expanded upon the original 1921 Hansen composition, introducing six fresh color variations that showcase his acute ability to capture subtle shifts in color and ambiance.
The reverse side of the current piece documents his experimental efforts with the Kiri (Mist) variation of the series. Here, the sail is rendered in a pronounced brown hue, setting it apart from the grey-toned sail observed in the final print.