Complementing the series of weekly images are songs composed by the multi-instrumentalist and producer Reuel Williams. Williams originally wrote two songs, which he then ran through a computer program he created that analyses the pixel content of the images, with each colour assigned to a musical component, such as speed or pitch. The result is a suite of 52 pieces of music that are responsive to the morphing images.
‘The blockchain opens up unique opportunities to create works that can change and be interactive,’ says Sinclair, ‘which I hope will generate more positive criticism of digital art, showing the use cases for communicating really intense and complicated concepts. There’s so much more that can be done in this space.’
On set, Sinclair fosters a collaborative and open environment with the models, makeup artists, musicians, and other creatives she works with, shifting fluidly between her Polaroid, her camcorder, and her digital camera to capture as much of the moment as possible.
‘The blockchain opens up unique opportunities to create works that can change and be interactive,’ says Sinclair, ‘which I hope will generate more positive criticism of digital art, showing the use cases for communicating really intense and complicated concepts. There’s so much more that can be done in this space.’
On set, Sinclair fosters a collaborative and open environment with the models, makeup artists, musicians, and other creatives she works with, shifting fluidly between her Polaroid, her camcorder, and her digital camera to capture as much of the moment as possible.