‘It was an impulse, a total impulse, and a real stroke of luck. I had been at the Ralph Pucci gallery in New York, looking at these very pieces for a client. A week later, this caught my eye in a Christie’s catalogue.
‘Normally, you wouldn’t see such a contemporary piece at auction — it is only two or three years old. But it was part of a large lot from a personal apartment, and that’s why it came up. I thought I would just take a stab at it, as the estimate was a fraction of the gallery price.
‘I left a bid because I couldn’t be there on the day, and I got it for practically nothing. I had every intention of selling it to a client, but as soon as I got it back home, I knew I wanted to add it to the things we live with. I can tell you: that vase is going nowhere.
‘To me, it is less a vase, more a sculptural work of art. I love the reinterpretation of Murano, and I love glass. I know how difficult it is to work with: to get a piece like this to a perfect state is unbelievably fraught. The sheer thickness of the vase is beautiful, and it is as heavy as it looks. Just getting it to the middle of the dining table was an effort.
‘I’m not usually a bling person, but I love the glittery aspect of the vase, the way it changes colour in the different lights of day and night. It has a gemstone naturalness to it, but it also looks a little like rock candy. Now I’m thinking I have to lick it.’
Find out more about Brian J. McCarthy's interior design work