MARCEL DUCHAMP
Property from The Collection of Robert Shapazian
MARCEL DUCHAMP

Various Authors, View, Marcel Duchamp Number, series V, No. 1, View Inc., New York, 1945 (S. 283b, 508, see 509; see Bonk p. 168)

Details
MARCEL DUCHAMP
Various Authors, View, Marcel Duchamp Number, series V, No. 1, View Inc., New York, 1945 (S. 283b, 508, see 509; see Bonk p. 168)
the complete magazine number with various reproductions and text, containing Pharmacy, a rectified readymade with hand-coloring (after the original readymade of 1914), on wove papers, Pharmacy tipped to a support sheet (as issued), signed and dated in pencil on the support, numbered 'No. 17 (hors compte)', aside from the edition of 100, dedicated 'for Bernard et B... Reis tout à fait sympathiquement', bound (as issued), in very good condition, original paper-covered boards, stamp-inscribed '17 in red on the cover, additional green cloth-covered portfolio with gilt title on spine. 13 x 10 in. (330 x 254 mm.)
album
Sale Room Notice
The authenticity of this work has been confirmed by the Association Marcel Duchamp. A certificate of authenticity will be issued to the purchaser of the work by the Association, upon request, after the sale.
Please note that the dedication is to 'Bernard and Beckie Reiss'. Please also note that this edition of Pharmacy is a replica based upon the printed version issued in the Boite-en-Valise and not as described in the catalogue.

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Lot Essay

We are grateful to the Association Marcel Duchamp who have kindly confirmed the authenticity of this work.

'Rrose Sélavy voudrait bien savoir si l'amour, cette colle à mouches, rend plus dures les molles couches' (Robert Desnos, 'Rrose Sélavy (1922-1923)', p. 17)

Bernard Reis served as financial advisor to many New York based artists including several leading Abstract Expressionists. The Reis's monthly parties became famous, not least for André Breton's 'sex truths' game which was taken seriously to the point of fining non-truthful responders. Bernard Reis's most important legacy is his role in advising Peggy Guggenheim to set up her first commercial gallery, although he is also remembered as one of the principle trustees for the hotly contested estate of Mark Rothko.

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