T. V. SANTHOSH
T. V. SANTHOSH

自由多遠

細節
T. V. SANTHOSH
自由多遠
油彩 畫布
2006年作
簽名︰ T. V. Santhosh

來源
2008年5月25日 佳士得香港 編號 369
現藏者購自上述拍賣

展覽
2006年9月「精神力量:印度及南非藝術家向9-11-1906精神致敬」Travancore畫廊 新德里 印度
2006年10月 Kizo藝術畫廊 德班 南非

T.V. Santhosh質疑大眾傳媒對戰爭與恐怖主義的呈現,他採取嘲諷的姿態審視當前視覺文化所固有之偏見,並以繪畫中並列的形象引人反思報章及電視新聞的真實性。就風格而言,T.V. Santhosh採用了獨特奪目的繪畫技巧,令觀眾一見難忘。他的標誌性風格是將攝影圖像從正片轉化為負片效果,加上刻意虛化畫面中任何具體細節,從而擴大主題範圍,指涉戰爭、恐怖主義與暴力等普世關注問題。

該作品 (Lot 1311)的靈感來源於1923年印度傳奇自由鬥士甘地與來自印度南部喀拉拉邦的革命人士那羅衍那古魯宗師的一段對話。甘地問古魯自由還有多遠。古魯從哲學與靈修的角度回答,認為自由尚遠。而正致力於印度獨立的甘地則不以為然,他說:自由近在咫尺,觸手可及。

人們在該作品中排成一行,表情空洞地凝望遠方和未知的將來。巧妙的構圖,只寥寥數人代表了幾百萬在殖民統治下為自由而戰的印度人民。


出版
2006年9月《精神力量:印度及南非藝術家向9-11-1906精神致敬》Travancore畫廊 新德里 印度 (圖版,第4部份,無頁數)


來源
Christie's Hong Kong, 25 May 2008, Lot 369
Acquired from the above by the present owner
出版
Travancore Gallery, Satyagraha: Indian and South African Artists' Tribute to the Spirit of 9-11-1906, exh. cat., New Delhi, India, 2006 (illustrated, section IV, unpaged).
展覽
New Delhi, India, Travancore Gallery, Satyagraha: Indian and South African Artists' Tribute to the Spirit of 9-11-1906, September 2006. Durban, South Africa, Kizo Art Gallery, October 2006.

拍品專文

Questioning the representation of war and terrorism in mass media, T.V. Santhosh adopts a cynical view of the biases inherent in our current visual culture, juxtaposing images in his paintings which call into question the authenticity of newspaper and television journalism. Stylistically, Santhosh has adopted a unique and striking painting technique which makes his work instantly recognizable. His signature style of turning a positive photographic image into its negative and the deliberate elimination of details of anything specific or local in the image allows the subject to take a much grander scale and addresses the universal concerns of war, terrorism and violence.

This painting (Lot 1311) is inspired by a dialogue in 1923 between the legendary Indian freedom fighter Mohandras K. Gandhi and Sree Narayana Guru, a revolutionary figure in his own right from Kerala, a southern state of India. Gandhi had asked Guru how far he thought freedom was. From a philosophical and spiritual perspective, Sree had replied that freedom was very far away; while Gandhi, referring to Indian Independence, countered the view by saying that freedom was close at hand and achievable.

In this painting, men stand in a row looking at a distance with hollow expressions at the unseen future. The composition is laid out brilliantly where a few men represent the millions of Indians who fought together for their freedom from colonial rule.

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