Adam Cvijanovic (b. 1959)
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Adam Cvijanovic (b. 1959)

Love Poem (10 Minutes After the End of Gravity)

Details
Adam Cvijanovic (b. 1959)
Love Poem (10 Minutes After the End of Gravity)
flashe and house paint on Tyvek, in three parts
overall: 168 x 900in. (426.7 x 2286cm.)
Executed in 2005
Provenance
Bellwether Gallery, New York.
Acquired from the above in 2005.
Literature
B. Sholis, 'Adam Cvijanovic', in Art Forum, November 2005 (detail illustrated, unpaged).
Exhibited
New York, Bellwether Gallery, Love Poem (10 Minutes After the End of Gravity), 2005.
London, Royal Academy of Arts, USA Today: New American Art from The Saatchi Gallery, 2006 (illustrated in colour, pp. 100-102, installation view illustrated in colour, p. 103).
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Lot Essay

Drawing inspiration from Renaissance fresco painting, American artist Adam Cvijanovic's 'portable murals' depict contemporary landscapes with a sense of celestial awe. Executed in 2005 and spanning an impressive 75 feet, Cvijanovic's Love Poem (10 Minutes After the End of Gravity) captures the dreamy and disquieting essence of suburban Americana as a rapturous science fiction tableau. Envisioning a sun-bleached Los Angeles ten minutes after the end of gravity, Cvijanovic's utopia ascends in a whirlwind of consumerist ecstasy. Emulating ovie backdrops as well as the acclivous perspective of cathedral dome tromp l'oeils, Love Poem (10 Minutes After the End of Gravity) combines the sublime horror of disaster films with amajestic religiosity, as bungalows and palm trees are destroyed in the exaltation of their own perfectness. Painted entirely by the artist without assistants, Cvijavovic's work reconstitutes the intimacy of timeless artistry with a modern day immediacy.

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