A SET OF GEORGE III PARCEL-GILT PINK-PAINTED FOUR-TIER HANGING SHELVES
A SET OF GEORGE III PARCEL-GILT PINK-PAINTED FOUR-TIER HANGING SHELVES
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A SET OF GEORGE III PARCEL-GILT PINK-PAINTED FOUR-TIER HANGING SHELVES

CIRCA 1790, POSSIBLY JOHN KERR, REDECORATED

Details
A SET OF GEORGE III PARCEL-GILT PINK-PAINTED FOUR-TIER HANGING SHELVES
CIRCA 1790, POSSIBLY JOHN KERR, REDECORATED
With triple-arched pediment above four graduated break-bow-front shelves each edged with fret-work cut to a different design, the stepped end-panels pierced with gothick-tracery on scrolling foliate-pierced brackets, restorations, the finials replaced
54 in. (137 cm.) high; 36 in. (92 cm.) wide; 12¾ in. (32.5 cm.) deep
Provenance
Almost certainly commissioned by Francis Russell, 5th Duke of Bedford
(1765-1802) for Oakley House, Oakley, Bedfordshire, as part of the
furnishings acquired following the remodelling of the House by Henry
Holland (1745-1806) between 1789 and 1792 and by descent at Oakley until sold with the house by
Herbrand Russell, 11th Duke of Bedford (1858-1949) in 1919 to his
cousin,
Oliver Russell, 2nd Baron Ampthill (1869-1935) following whose death
the house was sold and the contents dispersed.
F. Jones, Tavistock Street, Bedford, where acquired on 8 November 1935, as 'Painted Adam's china shelf' (£27.10s.).
Literature
'Inventory of sundry personal effects etc. at Woburn
Abbey etc. the property of His Grace Francis the 7th Duke of Bedford
K.G. deceased Taken 1861 by William Aspinwall 70 Grosvenor Street
W.'.

S. Houfe, 'Furniture for a Hunting Box',Country Life, 14 March 1991, p. 55, fig. 4.
Exhibited
Woburn, Woburn Abbey, Henry Holland, 23 April - 7 May 1971, p.14, no. 6.

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Lot Essay

These unusual hanging-shelves reflect the 'English Louis XVI' taste promoted by Henry Holland in the 1780s and 90s. While their delicacy and fantasy link them to the Rococo period, the gilding and light paintwork is typical of the 1790s 'strictly French in feeling', found in the best furniture of the period (S. Houfe, 'Furniture for a Hunting Box', Country Life, 14 March 1991, p. 56). Each gallery features different fretwork panels, and the semi-circular tops are highly original.
The shelves were almost certainly intended to be en suite with other furniture commissioned for Oakley House, including the daybed (lot 106) and the sofa (lot 107) with similar distinctive paterae. These shelves may have been supplied by John Kerr of Pall Mall, London, whose bills for Oakley House cover the years 1791-95 and were personally signed off by Holland. He was the sole cabinetmaker to have furnished a complete room at Oakley House. Bills survive for at least a dozen dining room pieces by Kerr, and it was possibly Kerr who supplied other furniture for Oakley (ibid.). Interestingly, Kerr's documented works are overwhelmingly in mahogany as are these shelves. Kerr was making patent metamorphic mahogany furniture for the 5th Duke in this period, and some exceptional Greek-style benches for Woburn Abbey in 1804.
In 1861, the shelves were recorded in the inventory for Oakley House in the 'Dressing Room', described as 'A Hanging Bookcase... Japanned pink & gold in 3 Compartments shaped front & circular top carved & gilt Bracket Carved Partitions'. This colour scheme was mirrored in the curtains and draperies of the room described as 'Striped Tabouret bound pink lace' (ibid.). Analysis of the decoration has shown that these shelves have been decorated five times with an initial scheme in grey-white, being replaced with a bright blue scheme with parcel-gilt decoration shortly after, further details of the analysis is available on request.

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