Richard Jackson (B. 1939)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Richard Jackson (B. 1939)

Bad Dog (Black)

Details
Richard Jackson (B. 1939)
Bad Dog
(Black)
fiberglass, hose, compressor, plywood, formica and paint, in five parts
overall: 65 x 32 7/8 x 22 1/8in. (165 x 83.5 x 56.2cm.)
installation dimensions variable
Executed in 2007, this work is number one from two artist's proofs aside from an edition of five
Provenance
Galerie Georges-Philippe & Natalie Vallois, Paris.
Acquired from the above by the present owner.
Exhibited
Paris, Galerie Georges-Philippe & Nathalie Vallois, Richard Jackson, 2007.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. All sold and unsold lots marked with a filled square in the catalogue that are not cleared from Christie’s by 5:00 pm on the day of the sale, and all sold and unsold lots not cleared from Christie’s by 5:00 pm on the fifth Friday following the sale, will be removed to the warehouse of ‘Cadogan Tate’. Please note that there will be no charge to purchasers who collect their lots within two weeks of this sale.

Lot Essay

Richard Jackson’s Bad Dog is an intimately scaled version of a work shown at the artist’s 2013 retrospective, Ain’t Painting a Pain, which saw a 24 foot black Labrador mark its territory in yellow paint down the side of the Orange County Museum of Modern Art in California. Completed in 2007, the present work comes from Jackson’s series of painting ‘machines’ which help create the work of art as the artist explores painting beyond its traditional limits. Here, he has engineered for the resin puppy, ironically placed upon a pedestal, to spray paint over a wall. Challenging and questioning how paint can be employed and received, he once said ‘I'm trying to change the way people think about painting and how they relate to it and how painting can occupy a space’. (R. Jackson interviewed by F. Barnes, Time Out, May 16 2014). Bad Dog is a stellar and witty example of Jackson’s spirited work.

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