Lot Essay
This powerful design fills the space allowed by the triptych format to brilliant affect. This work depicts the ghosts of the Taira family exacting revenge upon Minamoto Yoshitsune (1159-89) following their brutal defeat during a historic battle at Daimotsu bay. The haunting ghosts of the Taira clan are silhouetted dramatically against a dark sky as they attack Yoshitsune’s ship and the troops can be seen frantically lowering the boat’s sails as the gigantic waves rise up ominously around them. The noh play Funa Benkei [Benkei in the Boat] recounts this episode, which eventually ends well for Yoshitsune and his men due to Yoshitsune’s faithful retainer, the monk Benkei, who offers prayers to the gods of the sea, causing the angry ghosts to disappear, the storm to calm, allowing the ship to continue on its travels.
For another impression in the collection of the Museum of Fine Arts, Boston, see www.mfa.org accession numbers 11.30566a-c, 1992.568a-c. For further reading and additional impressions see Robert Schaap, Heroes and Ghosts, (Amsterdam, 1998), p.101, and Yuriko Iwakiri and Amy Reigle Newland, Kuniyoshi: Japanese Master of Imagined Worlds, (Leiden, 2013), p.61
For another impression in the collection of the Museum of Fine Arts, Boston, see www.mfa.org accession numbers 11.30566a-c, 1992.568a-c. For further reading and additional impressions see Robert Schaap, Heroes and Ghosts, (Amsterdam, 1998), p.101, and Yuriko Iwakiri and Amy Reigle Newland, Kuniyoshi: Japanese Master of Imagined Worlds, (Leiden, 2013), p.61