Victor Pasmore Lot 104
Victor Pasmore, R.A. (1908-1998)
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Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Victor Pasmore, R.A. (1908-1998)

Abstract in White, Black and Maroon: Peterlee

Details
Victor Pasmore, R.A. (1908-1998)
Abstract in White, Black and Maroon: Peterlee
signed, inscribed and dated ‘Peterlee/Victor Pasmore./1959’ (on the reverse)
oil on panel and Perspex, projective relief
22 x 22 x 10 ½ in. (46 x 46 x 26.6 cm.)
Provenance
A gift from the artist to Vivian Williams, and by descent.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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Louise Simpson
Louise Simpson

Lot Essay

'The purely abstract artist will be frustrated in his urge for complete development so long as he confines himself to the surface bound medium of painting alone. For full development, he will have to extend his activities in the actual three-dimensional medium of sculpture or architectural form. This means that surface painting is the beginning, rather than the end, of abstract art.'
(Victor Pasmore (artist's statement), in J. Reichardt, Victor Pasmore, London, 1962).

Vivian Williams was General Manager of the Peterlee and Newton Aycliffe Development Corporation. Following the resignation of Berthold Lubetkin, the project’s original architect, Williams appointed his friend Pasmore, in 1955, to serve as a representative of the visual arts to improve the continuing design of the town. Pasmore was closely involved with the layout of the south-west side of the town, its focal point being a lake crowned by the ‘Pasmore Pavilion’, which he designed in 1963.

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