Jan Henderikse (b. 1937)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more PROPERTY OF AN IMPORTANT PRIVATE COLLECTOR
Jan Henderikse (b. 1937)

Untitled

Details
Jan Henderikse (b. 1937)
Untitled
signed 'henderikse' (on the reverse)
assemblage of objects on panel
61 x 61cm.
Executed in 1961
Provenance
The Artist.
Galerie Schoeller, Düsseldorf.
Anon. sale, Sotheby's Amsterdam, 1 December 2004, lot 124.
Acquired at the above sale by the present owner.
Literature
R. Wiehager, A. Melissen (eds.), Jan Henderikse. Acheiropoieta, Ostfildern 2010 (illustrated, p. 155).
C. de Westenholz, Hoger die drempel! Higher that Level!, Hilversum 2016 (illustrated, p. 92).
Exhibited
The Hague, Galerie Orez, Jan Henderikse, 1965.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. “ ! ”: Lot is imported from outside the EU. For each Lot the Buyer’s Premium is calculated as 37.75% of the Hammer Price up to a value of €30,000, plus 31.7% of the Hammer Price between €30,001 and €1,200,000, plus 22.02% of any amount in excess of €1,200,000.
Further Details
We would like to thank Antoon Melissen for his help in cataloguing the present lot. It will be included in his forthcoming monograph on Jan Henderikse.

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Lisa Snijders
Lisa Snijders

Lot Essay

This untitled assemblage by Jan Henderikse was conceived in Düsseldorf, in 1961. Two years previously, Henderikse moved to Düsseldorf, where he connected with the main protagonists of the international ZERO movement, Heinz Mack, Otto Piene and Günther Uecker, who was to become a close friend. As a member of the Dutch Nul Group (1961-1965, with Armando, Henk Peeters and Jan Schoonhoven), Henderikse replaced conventional materials (oil paint, bronze) for un-academic means, searching for a new kind of expressiveness; a commitment shared with so many artists from the ZERO movement. Henderikse also felt a special kinship with Nouveau Réalistes Arman and Daniel Spoerri, whom he met though shared exhibitions during the early 1960s.

This is one of Henderikse’s earliest polychrome assemblages, consisting of washed up flotsam, found on the banks of the river Rhine, in Cologne and Düsseldorf. Jan Henderikse took part in many of the major ZERO exhibitions of the decade, including the exhibition Nul at the Stedelijk Museum (1962), and several (group)presentations at the Internationale Galerie Orez, during the 1960s renowned centre of ZERO related exhibitions and manifestations in the Netherlands. Similar assemblages from the early 1960s were exhibited at the exhibition Nieuw Realisten at the Gemeentemuseum The Hague (1964), traveling on to Brussels, Vienna and Berlin (1965).

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