The Adoration of the Shepherds

細節

Juan Mates (Villafranca del Panadès c. 1370-1431 Barcelona)
The Adoration of the Shepherds
tempera and gold on panel
30 1/8 x 28 5/8 in. (76.5 x 72.7 cm.)

來源

Mrs. Dohan, Darling, Pennsylvania.
Miguel Otero Silva and by descent; Christie’s, New York, 27 January 2000, lot 127 ($63,000).

出版

C.R. Post, A History of Spanish Painting, 1941, VIII, pt. 2, p. 602, fig. 283; 1947, IX, pt. 2, p. 752; 1953, XI, p. 377, as The Master of Peñafiel.
J. Ainaud, 'Tablas inéditas de Joan Mates', Anales y Boletín de los Museos de Arte de Barcelona, VI, June-December 1948, p. 344.
J.A. Gaya Nuño, La pintura española fuera de España, 1958, p. 233, no. 1760.
J. Gudiol and S.A.I. Blanchi, Pintura Gótica Catalana, 1986, p. 90, 352, no. 224, fig. 438.

展覽

Caracas, Museo de Bellas Artes, Exposicion Grandes Maestros, 5 November-17 December 1967, no. 1.

拍品專文

For many years the artist Juan Mates was known by the anonymous sobriquet 'The Master of Peñafiel', whose oeuvre was built around a pair of retables formerly in the ermita at Peñafiel by C.R. Post (op. cit.). It was Juan Ainaud who identified the Master of Peñafiel as Juan Mates (loc. cit.), on the basis of a contract and receipts documenting the commission of his works. He also found the actual record of the installation of the retables and was therefore able to date their execution to 1411-1415. A native of Villafranca del Panadés, Mates was active in Barcelona by 1400.

The Adoration of the Shepherds

拍品專文

更多來自 古典大師繪畫及雕塑

更多來自古典大師繪畫及雕塑